A Quote by Axl Rose

I wasn't looking at it like, 'I'm singing for AC/DC.' I was looking at it like, 'Y'know, if I can, and if they think I'm able to do it.' — © Axl Rose
I wasn't looking at it like, 'I'm singing for AC/DC.' I was looking at it like, 'Y'know, if I can, and if they think I'm able to do it.'
I'd still stand in line all day to get into an AC/DC show, because that was the one show when I was younger that kind of changed my life. Because it was a little wrong. I think I was 14 or 15, first concert without the parents, you know, and they were all worried because we were going to an AC/DC show, and it was an amphitheater.
I am not saying I never hope of ever playing with AC/DC again but, then again, is it even AC/DC any more? No Bon's beautiful voice. No Malcolm. No Brian.
To me as a fan, as a die-hard AC/DC fan, Brian Johnson is the reason I discovered AC/DC.
I don't know any Beatles songs. My dad never listened to Elvis or Sting or Bowie. Any band name that's on a t-shirt, I probably won't know their music, like AC/DC or whatever. I don't know what that is. As a kid, I would sing along to artists like Tania Maria.
We always joke now like, you know, the more experienced we get making stuff, we're like, "Never leave set without a shot of each of our lead characters driving in the car looking happy, looking moderately blank and looking sad." Because we know we're going to need these things.
Looking for peace is like looking for a turtle with a mustache: You won't be able to find it. But when your heart is ready, peace will come looking for you.
We always try to get new songs. That's what AC/DC has always been about. You can listen to what we do, and you can go, 'Well, it's AC/DC, but it's a new song.' So that's what we've always tried to achieve. So we've always got that style.
I listen to older music like AC/DC.
Brian Johnson, AC/DC, singing 'The Hokey Pokey' with him - I'll take that over any other moment.
Find something that makes you happy, like looking at beautiful pictures, or, if you're able, listening to beautiful music, or sitting by the window and looking outside - small things like that can be absolutely huge.
As far as comic books are concerned, I was always a Marvel guy for the most part, although I did follow DC a little. I don't know, honestly I'd just like to play whatever role [that] not just the studio, but the fans think I fit the best into. Because I think, especially in worlds like that, you've really got to do right by the fan base and stay in tune with what they are looking for and what they desire. I would just want to do right by them.
I just feel like I understand Cameron Diaz better than I ever have before, and I don’t like it. I don’t like to see everything I see. It’s like a magnifying mirror only soulful, and I’m not looking at her, I’m looking at us, you know? And our pores are huge.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
With Trixie, people like that I look like this fabricated painted creation, but all my comedy and my songs come from a place of reality. It's like the man behind the curtain - it's the crying clown - that's what works for people with Trixie. It's the dichotomy of someone looking like a toy but then, you know, speaking and singing like a real boy.
I buy Coppertone Water Babies in abundance at the airport, SPF 60 or 70. I like being pale; I like looking like a creature from the dead world. I like looking like a ghost.
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