A Quote by Axl Rose
I sing in five or six different voices that are all part of me. Its not contrived.
Related Quotes
I sing in five or six different voices that are all part of me. It's not contrived.
I used to sing when I was six years old. When the family would leave the house, I'd get up on the stool and sing. 'T for Texas, T for Tenessee, T for Thelma, the gal that made a wreck out of me.' I was in love with my babysitter. She was 18. I was six.
Listen to the triple fugue in 'Magnificat' - the first subject is seven voices, the second one has 52 different voices, the third uses five; then I combine all together. Such textures you cannot call primitive.
For its part, Government will listen. We will strive to listen in new ways - to the voices of quiet anguish, to voices that speak without words, the voices of the heart, to the injured voices, and the anxious voices, and the voices that have despaired of being heard.
Ask five economists and you'll get five different answers - six if one went to Harvard.
An actor's career doesn't feel like just one career to me. It feels like about five or six. Because every six or seven years, you look in the mirror and you have a completely different product.
I used to take five or six books away and bring five or six books back. Nobody gave me direction or advice and I read much in the way that a boy might watch television.
My first two books, I was very close to my main character, stuck inside their head. And then with 'Arrogance,' I broke into many different voices. I introduce many different characters, and that helped me to develop a confidence to move between different characters, between different voices.
It's always beautiful to sing with other great voices. I like voices in general. It's a big privilege to have great singers next to me.
My country has contrived for me the most insignificant office that ever the invention of man contrived or his imagination conceived.
When I heard Billie Holiday's voice, Nina Simone's and Ella Fitzgerald's - there was something about their voices to me that was such a different texture than what I was used to listening to at the time. Hearing those jazz voices were so different, and I think I just gravitated toward it.
Sing, seraph with the glory! heaven is high.
Sing, poet with the sorrow! earth is low.
The universe's inward voices cry
"Amen" to either song of joy and woe.
Sing, seraph, poet! sing on equally!
I've worked in several different places, most of my experience comes from spending eight summers at a camp for adults with a wide range of disabilities. For six years I spent every summer living in a small cabin with five men with Downes Syndrome. It was just me and these five guys, all in their forties and fifties. We had such a great time.
I remember as a child of five or six lying in the bath marvelling at the different languages displayed on the shampoo bottles around me. From that moment on it was always words not numbers that held a fascination for me.
I knew I wanted to sing and maybe I had a chance at it, so I just started recording myself maybe five or six times a week and putting them on YouTube as much as I could with hopes that someone would recognize me.
I first got interested in music as a toddler by my childhood babysitter, Rosetta Atkins. She taught me how to sing by imitating the voices on the gospel radio station she listened to - both men and women's voices.
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