A Quote by Ayad Akhtar

I don't have an ideal reader. I'm trying to reach something simple and, I believe, universal, in every single person. — © Ayad Akhtar
I don't have an ideal reader. I'm trying to reach something simple and, I believe, universal, in every single person.
I don't believe in that term 'self-made' - not to be offensive, but I believe everything happens for a reason, every single person you meet. Even if it's one single person giving you advice, that person helped you get to where you're at today.
I do not believe that the government is in any position to say exactly how every single business and every single activity shall reach those performances.
I love feelings that are universal, things that tie every single person on this earth together. I think we all battle between what we know is right and what we feel is right every single day, and as much as that can be difficult it's absolutely human.
Faith is precisely the paradox that the single individual as the single individual is higher than the universal, is justified before it, not as inferior to it but superior - yet in such a way, please note, that it is the single individual who, after being subordinate as the single individual to the universal, now by means of the universal becomes the single individual who as the single individual is superior, that the single individual as the single individual stands in an absolute relation to the absolute.
You are the only person I know who has the same attitude towards physics as I have: belief in the comprehension of reality through something basically simple and unified... It seems hard to sneak a look at God's cards. But that He plays dice and uses 'telepathic' methods... is something that I cannot believe for a single moment.
We waste a lot of time and a lot of talent trying to write for the common reader, whom we will never meet. Instead we should be writing for our ideal reader.
To me, getting up every single night and trying to reach out to an audience, and trying to dig deeper and further in the play to serve the writer and to understand yourself in that context is how you continue to grow and learn.
My conception of my ideal reader has expanded quite a lot as I've matured: Ultimately when I think of my ideal reader, it's someone who's not sitting down with the intention of automatically arguing with the book: somebody who's going to give me enough slack to tell my story.
Life is not so simple. There are many futures. The life of a single person is like a great tree: every branch, every twig, every leaf is a possible future.
The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
The Q I loathe and despise, the Q every single writer I know loathes and despises, is this one: 'Where,' the reader asks, 'do you get your ideas?' It's a simple question, and my usual response is a kind of helpless, 'I don't know.'
You are talking to a leftist. I believe in the redistribution of wealth and power in the world. I believe in universal hospital care for everyone. I believe that we should not have a single homeless person in the richest country in the world. And I believe that we should not have a C.I.A. that goes around overwhelming governments and assassinating political leaders, working for tight oligarchies around the world to protect the tight oligarchy here at home.
You put the picture of the ideal person in your head and then someone comes along and they don't fit that ideal at all. But somehow there is something about them that is so attractive. Everyone that I have fallen for has not fit that ideal at all.
Every single team that I've played for, every single person would tell you that I've given it everything every single day.
Your audience is one single reader. I have found that sometimes it helps to pick out one person-a real person you know, or an imagined person and write to that one.
As a reader, when the writer gets sentimental, you drift, because there's something fishy going on there. You recognize a moment that's largely about the writer and the writer's own need to believe in something that might not in fact exist. As a reader, you think, 'Where did the story go? Where did the person I'm reading about go?'
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