A Quote by Ayana Mathis

Even if you don't feel like sitting down to write or working on that big proposal, or whatever it is, just show up anyhow and the rest will follow. — © Ayana Mathis
Even if you don't feel like sitting down to write or working on that big proposal, or whatever it is, just show up anyhow and the rest will follow.
I'm often just writing just to write. I'm not writing with...If I write, like, sitting down with a goal in mind, it's always, like, the worst. It turns into a ska song even if I'm trying to write like a horror movie sound track or something.
I carry around, like, a little journal with me and just write all the time. Not necessarily, like, actually sitting down and writing lyrics - just freeform writing, whatever's going on in my mind. I write a lot on airplanes, actually, because it's completely isolating.
I have a real worker-bee mentality. Just show up, just do it. Even if you feel like s--t and you think you're terrible and you'll never get better and it will never go anywhere, just show up and do it. And, eventually, something happens.
In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.
I have been down and out, living in Brooklyn, no money even for a subway, no food whatsoever. Like, I remember just sitting in my room all day - even my television wasn't working!
I feel like I kind of earned my stripes working with The Stereotypes. It was maybe my 6th songwriting session I've ever been to, and they just gave me and a writer I used to write with 3-4 tracks and kinda just let us come up with whatever.
In general, fakirs, like scribes and potters, are sitting down, when he's standing up, a fakir is just like an other man, and sitting down, he'll be smaller than the others.
I write most of my first drafts on an old manual typewriter, a really old one. It's a big black metal "Woodstock" from about 1920. I try to write everything down at once, in one sitting. The longer stories in this collection are divided up into sections. Each section represents a different sitting, a different idea for the same story.
Writing has nothing to do with publishing. Nothing. People get totally confused about that. You write because you have to - you write because you can't not write. The rest is show-business. I can't state that too strongly. Just write - worry about the rest of it later, if you worry at all. What matters is what happens to you while you're writing the story, the poem, the play. The rest is show-business.
Even on TV appearances or big shows, I don't know if I've ever been as nervous as I was my first time doing stand-up. I just remember getting offstage and sitting down, and my right knee was just shaking from the adrenaline.
Prowling about the rooms, sitting down, getting up, stirring the fire, looking out the window, teasing my hair, sitting down to write, writing nothing, writing something and tearing it up...
Don't be daunted. Just do your job. Continue to show up for your piece of it, whatever that might be. If your job is to dance, do your dance. If the divine, cockeyed genius assigned to your case decides to let some sort of wonderment be glimpsed, for just one moment through your efforts, then 'Ole!' And if not, do your dance anyhow. And 'Ole!' to you, nonetheless. I believe this and I feel that we must teach it. 'Ole!' to you, nonetheless, just for having the sheer human love and stubbornness to keep showing up.
Inspiration is for amateurs - the rest of us just show up and get to work. And the belief that things will grow out of the activity itself and that you will - through work - bump into other possibilities and kick open other doors that you would never have dreamt of if you were just sitting around looking for a great "art idea."
I've started getting acclimated to writing on the road and on the spot. I just let whatever I feel at the time come out, instead of really sitting there and taking days to write just one song.
It's not like I wake up every morning and just can't wait to write. It is my job. It's much easier to not write. I'd rather read. This is my income. This is what supports my family. Having a child is a pretty big incentive to keep working.
You don't look for jobs. You don't phone up 10 clubs and say, Here I am. You are offered the job. I was in Benfica many years ago. I was leaving the training ground and I had a car after me. It went on for 10 minutes. Anyhow, he stopped and I stopped and he said, I'm from the Italian embassy. Ah yes, and what do you want? I want your phone number because Roma wants you as a manager next season. Three months later I was sitting on the bench in Roma. I don't think the rest of working society works like football.
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