A Quote by Ayana Mathis

I think a lot about race and the burdens of representation. There's an idea that because I'm writing a book set around the time of the Great Migration, and happen to be black, I'm trying to write a definitive account of the Great Migration, the so-called "black experience." That's not what I'm doing, and it can be frustrating.
If there had never been the Great Migration there would never have been jazz, there would never have been Michelle Obama. A lot of amazing black people exist in this country because of the Great Migration. That's nation-building.
I'm always thinking about what a black lady would think about what I'm doing, just because I feel like they have such great taste, mostly because as black women, we've spent a lot of time downloading what a white male narrative is, so in my head, I'm like, 'If a black woman likes it, if she responds to it, then it's probably pretty damn great.'
The first Black Migration to this country was forced migration. It was the Middle Passage.
When I think about a Chicago sound, I think about the Great Migration from the South. Many of Chicago's black artists are from Mississippi, Arkansas, and with them was brought blues and gospel music.
Well, I'm a daughter of the great migration as, really, the majority of African Americans that you meet in the north and west are products of the great migration. It's that massive. Many of us owe our very existence to the fact that people migrated.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
For black America needs a politics whose first mission isn't the reinforcement of the idea of black America; and a discourse of race that isn't centrally concerned with preserving the idea of race and racial unanimity. We need something we don't yet have: a way of speaking about black poverty that doesn't falsify the reality of black advancement; a way of speaking about black advancement that doesn't distort the enduring realities of black poverty.
What I love about the stories of the Great Migration is that this is not ancient history; this is living history. Most people of color can find someone in their own family who had experienced a migration of some kind, knowing the sense of dislocation, longing and fortitude.
At the beginning of the 20th century, before the migration began, 90 percent of all African-Americans were living in the South. By the end of the Great Migration, nearly half of them were living outside the South in the great cities of the North and West. So when this migration began, you had a really small number of people who were living in the North and they were surviving as porters or domestics or preachers - some had risen to levels of professional jobs - but they were, in some ways, protected because they were so small.
I am not against migration. It is simply pragmatic to restrict migration, while at the same time encouraging integration and fighting discrimination. I support the idea of the free movement of goods, people, money and jobs in Europe.
You have a huge number of people who spend their time writing papers which show that migrants pay more to the country than they take out in benefits, and they say, "Why don't you approve of migration? Why don't you open up borders?" They're not able to empathize with how people feel about migration.
I think we have a great deal of mythology around writing. We believe that only a few people can really do it. I wrote a book called 'The Right to Write.' In it, I argued that all of us have the capacity to write. That it's as normal to write as it is to speak.
I am a black person. I come out of an experience of exile and migration. I have always felt myself to be at once at home and away from home at the same time. It is inevitable that my perspective will be international.
Growing up, I didn't receive the representation that I wanted so badly. I was always looking out for black characters - black women - that were specifically just about existing and weren't necessarily racialized or were centered around race.
If the U.S. government is serious about fighting irregular migration, it should support and encourage legal migration.
There's no idea in the world that is not contained by black life. I could write forever about the black experience in America.
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