A Quote by Ayda Field

I still have to hustle to get jobs, audition and put myself out there. — © Ayda Field
I still have to hustle to get jobs, audition and put myself out there.
At Uber, we say, 'Always be hustling.' Even if you are an introvert and you haven't got hustle in you, you better get a co-founder who does. And if you haven't got enough hustle to find a co-founder who's got hustle, it's going to be tough. You've got to have a little hustle in you.
It's weird, sometimes I still see myself as just starting out. I tend to forget how much I've been doing, but in the beginning it is about the hustle, being out there and doing the work. Nothing is going to come to you, you have to get out there and do the work, and I've been doing that. But sometimes it's good to take a break and let these things air out. Reflect and take it in.
I went into the audition room with the mindset that 'Little Fires' was going to be my last audition. I put my all into it, but I didn't get my hopes up.
I need work. I still audition for work. I dont get offered things out of nowhere. I have to work hard, still, and I get a lot of rejections. It just goes on and on.
I need work. I still audition for work. I don't get offered things out of nowhere. I have to work hard, still, and I get a lot of rejections. It just goes on and on.
To us, your power comes from one simple thing: you’re a woman, and we men will do anything humanly possible to impress you so that, ultimately, we can be with you. You’re the driving force behind why we wake up every day. Men go out and get jobs and hustle to make money because of women. We drive fancy cars because of women. We dress nice, put on cologne, get haircuts and try to look all shiny and new for you. We do all of this because the more our game is stepped up, the more of you we get. You’re the ultimate prize to us.
I love reading and learning. With acting, I get to put all that into my work and still get to do my homework and imagine I can do all these different jobs.
Every audition, I still get nervous. I still get sweaty palms. I don't think that ever goes away. You just get accustomed to it.
I like being able to put out my own content instead of just going from audition to audition and just waiting and hoping.
I feel like I put pressure on myself to perform well and to play well and to do well. That's what I expect of myself. It's not always going to happen, but I can certainly sort of put myself in the position where I can get the best out of myself.
If our American women are going to work to put food on the table and pay for the mortgage, then we better make sure that they get put into jobs that pay well and that pay their worth. That's why I'm such a huge advocate about computing jobs, because those are the jobs.
There's a process: you audition, you get rejected, occasionally you get jobs, and it's exciting, but it's all little stepping stones.
When you get out of school, you just go where the wind blows: Here's an audition; there's an audition. And before you know it, you're where you're supposed to be. And that was Second City.
I would drive down in my Volkswagen Jetta to Los Angeles and just audition, audition, audition, audition, and hopefully get something. I did that for two years, and the third year I came down, I auditioned for 'How I Met Your Mother.'
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
After my audition for 'Bridgerton,' I put it out there to the universe, and I bought the book. I was like, 'Right. If I commit, then I'll get the job.' And it worked.
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