A Quote by Ayda Field
Rob and I both have this strange sense of comedy which always involves us being the butt of our own jokes.
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We live in strange times. We also live in strange places: each in a universe of our own. The people with whom we populate our universes are the shadows of whole other universes intersecting with our own. Being able to glance out into this bewildering complexity of infinite recursion and say things like, 'Oh, hi, Ed! Nice tan. How's Carol?' involves a great deal of filtering skill for which all conscious entities have eventually to develop a capacity in order to protect themselves from the contemplation of the chaos through which they seethe and tumble.
Logic leaves us no choice. In that sense, math always involves both invention and discovery: we invent the concepts but discover their consequences. … in mathematics our freedom lies in the questions we ask – and in how we pursue them – but not in the answers awaiting us.
She viewed us as being married. There were times in order to avoid confusion that she would present me as, 'My husband, Rob,' but never as, 'my partner,' or 'my life partner,' or anything like that. What always pleased me or always sounded so nice was, 'Have you met my Rob?' Or, 'This is my Rob.'
Of one thing we can be sure: our own future is inseparable from the larger community that brought us into being and which sustains us in every expression of our human quality of life, in our aesthetic and emotional sensitivities, our intellectual perceptions, our sense of the divine, as well as in our physical nourishment and bodily healing.
I think Amy Poehler and Tina Fey have done so much for women in comedy in the sense that they've normalized it. You don't think, 'I'm going to watch that comedy starring a woman,' you think, 'I'm going to watch that funny show.' They refuse to play the foils for men, or be reduced to the butt of every joke, and I love that about both of them.
Rob and I both have a problem with taking jokes too far.
If men lived like men indeed, their houses would be temples -- temples which we should hardly dare to injure, and in which it would make us holy to be permitted to live; and there must be a strange dissolution of natural affection, a strange unthankfulness for all that homes have given and parents taught, a strange consciousness that we have been unfaithful to our fathers honor, or that our own lives are not such as would make our dwellings sacred to our children, when each man would fain build to himself, and build for the little revolution of his own life only.
Tweeting is a great way to practice writing jokes, but there is so much more to comedy writing than just jokes. Jokes are a necessity, but you also have to learn how to write characters, to break a story, to keep coherence between episodes. I've learned more by being a TV writer than I ever could've on my own.
Both my mother's younger sisters, Padmini and Tejaswini, are actresses. I am extremely close to Teju mausi, as I am quite similar to her. We both are adventurous, spontaneous, childish, impulsive, and a bit silly and have our own strange sense of humour.
The artist appeals to that part of our being which is not dependent on wisdom; to that in us which is a gift and not an acquisition-and therefore, more permanently enduring. He speaks to our capacity for delight and wonder, to the sense of mystery surrounding our lives; to our sense of pity, and beauty and pain.
Nearly always, so as to live at peace with ourselves, we disguise our own impotence and weakness as calculation and policy; it is our way of placating that half of our being which is in a sense a spectator of the other.
And writing comedy and it really taught me how to kind of like craft jokes, it sounds like weird but really focus on crafting jokes and trying to make the writing really sharp. At the same time I did improv comedy in college, and that helped with understanding the performance aspect of comedy, you know, because it's different when you improv something vs. when you write it and they're both kind of part of my process now.
Too often, we decide to follow a path that is not really our own, one that others have set for us. We forget that...in both cases we will pass through both difficult and happy moments. But when we are living our dream, the difficulties we encounter make sense.
We cannot and must not allow ourselves to have the message of Hiroshima and Nagasaki fade completely from our minds, and we cannot allow our vision or ideals to fade, either. For if we do, we have but one course left for us. And that flash of light will not only rob us of our vision, but it will rob us of our lives, our progeny, and our very existence.
The interesting trick of comedy, in a lot of ways, is to have both the comedy and the grounding of the real thing. You get a real sense of a human being.
Our dearest one. Fear nothing of the forest. There is no danger in solitude. We have no need of our brothers. Let us forget their good and our evil, let us forget all things save that we are together and that there is joy as a bond between us. Give us your hand. Look ahead. It is our own world, Golden One, a strange, unknown world, but our own.
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