A Quote by Ayda Field

I was a bit of a humour black sheep. I would make these jokes full of irony and dark cynicism and that just didn't work when I was seven, people did not laugh. — © Ayda Field
I was a bit of a humour black sheep. I would make these jokes full of irony and dark cynicism and that just didn't work when I was seven, people did not laugh.
I learned all those jokes in second grade. Second grade is really where they tell you those horrific jokes, racist jokes and misogynistic jokes that you have no idea what they mean, and you just memorize them because they have a very strong effect, they make people laugh in this kind of nervous, horrible way, and it's only later that you realize that you've got a head full of crap.
I still see the world as a place of bitter irony and black humour, failed hopes, dashed plans. I hope to make my work sparer, to outgrow my desire to show off.
I love dark humor. I love things that are so grounded in life, but just happen to be just a little bit twisted because my sense of humor is a little bit twisted. I love jokes that shouldn't be funny, but are. Those types of things just really make me laugh.
They have what you call a black night where they have black people come in for just one night only to watch comedy, and you get all your local drug dealers, thugs, prostitutes, all of them come in, sit down, and listen to you tell jokes. They the hardest people to make laugh.
People are apprehensive about finding 'The Leftovers' funny because it's such a dark circumstance, but I think, really, what the show is about is examining how different people deal with loss. There are elements of humour and levity and irony in that... just like in real life.
I think I have got a very good sense of humour; other people don't, but I do. I also laugh at my own jokes.
At the end of the day people should remember that we are just trying to make people laugh. Some jokes work and some don't.
I like jokes, but Ray and I, we never did jokes. We weren't in that line of humor. We each contributed our own kind of observations. I'm glad to have people look at and laugh at and respect and get some creative juice out of what we did by observing.
Lavatorial humour is just not my cup of tea. But, having said that, I'm really of the mind that comedy is so subjective and whatever makes you laugh makes you laugh. If it doesn't make you laugh, don't watch it.
It was not possible for us to produce the same optimism and the same kind of humour or irony. Actually, it was not irony. Lichtenstein is not ironic but he does have a special kind of humour. That's how I could describe it: humour and optimism. For Polke and me, everything was more fragmented. But how it was broken up is hard to describe.
I adore jokes. They're a theatrical contrivance, but the irony of all fiction is that you approach reality by avoiding it a bit; you spoof it a bit.
We laugh at sheep because sheep just follow the one in front. We humans have out-sheeped the sheep, because at least the sheep need a sheep dog to keep them in line. Humans keep each other in line. And they do it by ridiculing or condemning anyone who commits the crime, and that’s what it’s become, of being different.
I don't tend to like race jokes. I don't like Jew jokes and black jokes, and they make me very uncomfortable, probably because I'm both. Well, I'm not black - but if I was then I could dance better.
I think one of my first jokes - in the black community, there's people who have jokes about skin tone. People like, 'You so black, you purple.' 'You so black, you gotta smile so we can see you at night.'
I always try to lace my work with just a teensy-weensy bit of humour. It's rather like putting a sprig of feathery stuff in a flower arrangement: I believe humour is a great balancer.
I don't think it's aiming at gags, I think the humour is woven into it. It's part of how the characters operate and how they deal with disaster because they're worldly enough to have a bit of irony and wryness about their own circumstances. So, I think the humour comes out of that.
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