A Quote by Ayelet Shaked
I remember when I was very young, perhaps 8-years old, I saw a debate between Shimon Peres and Yitzchak Shamir and I really liked Shamir. So I think since then, even though I was just a child, I've considered myself right-wing.
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I'm just, 'Hi, I'm Shamir. I'm gonna sing, hug you, then you can buy my album.'
Shamir and Nasir were my homeboys. They were from Philly and they're Muslim. I'm not a Muslim, but I liked their names. They were like, 'your name starts with an N, so just come up with Nahmir.' So I just put 'Nah' in front of 'Amir.'
I was always storytelling, since I was a child. I remember myself at 10 years old telling stories to my sisters and brother. This is something I did through my adolescence and even through my twenties.
I think when I was a young person, there was just kind of - there was very little dialogue about it. And there was just kind of one way to be gay, right? You saw very effeminate guys. You saw very butch women. And there was no kind of in-between. And there was no - you know, there wasn't anything in the media. There wasn't anything on television.
Right after 'The Wackness' came out, it was a really exciting time, and then it was a bit disappointing when it came out. Even though not that many people saw it, I was still getting offered some movies. I was thinking that people would just stop calling me since it didn't do very well at the box office.
'Poltergeist' was the film that scarred me for life. I saw it at such a young age - 5 or 6 years old - and it has one of the creepiest doll sequences with the clown, and ever since then, I've just been fascinated by dolls.
I don't ever remember being able to debate with my parents. Even though I thought of myself as a very bright kid, I couldn't be vocal in that way.
I never felt like a boy or a girl, never felt I should wear this or dress like that. I think that's where that confidence comes from because I never felt I had to play a part in my life. I just always come as Shamir.
I remember at the time - right before we started Feministing.com - doing a Google search for the term "young feminism" and the term "young feminist," and the first thing that came up was a page from the National Organization for Women that was about 10 or 15 years old. And it just struck me as so odd that there was all of this young feminist activism going on, but that it wasn't necessarily being represented online, that the first things in a Google search to come up were really, really old. I think to a certain degree we really filled a gap, and that's why we got such a large readership.
Shimon Peres was the greatest living example of an unshakable belief in the pursuit of peace against all odds.
I remember filming my TV show, 'Growing Up Supermodel,' and just being uncomfortable. And then when I saw myself on TV, not even recognizing myself, it was really hard to see.
Former President Shimon Peres was a leader and a statesman, and an especially wonderful friend to all of us. He will be missed dearly.
I remember thinking as I was doing the jokes for the first time, "If I can hear that very clearly, I'm not hearing laughter." It just became deafening, this buzzing noise. I mean, it was brutal. It was really terrible. Then I remember thinking, "At least nobody important, or anyone who I really respect, saw that." And then literally right when I went off the stage, Jerry Seinfeld got up and went on. So I was like, "Oh great. Seinfeld saw me bomb." On the other hand, I thought, "At least no one will be thinking of me anymore. They'll just be focusing on him."
The debate was wearing me out. Once you've posed that question, it won't go away. I think many people kill themselves simply to stop the debate about whether they will or they won't. Anything I thought or did was immediately drawn into the debate. Made a stupid remark--why not kill myself? Missed the bus--better put an end to it all. Even the good got in there. I liked that movie--maybe I shouldn't kill myself.
I can remember being a young kid, twelve, thirteen years old just with my headphones on, on the train, listening to rappers paint these vivid pictures. Listening to Mobb Deep and feeling like I was in Queensbridge even though I'm on the Southside of Chicago.
I was very young when I saw 'Gone With the Wind,' but I fell in love with Clark Gable. And when I got to work with him, I couldn't believe it. I still had a crush on him. He was quite an old man by then; he must have seen that I was head over heels, even though I was married.
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