A Quote by Ayelet Shaked

I do not take things to the heart. I calculate and I do what needs to be done. If I were to start acting emotionally, it would destroy my work. — © Ayelet Shaked
I do not take things to the heart. I calculate and I do what needs to be done. If I were to start acting emotionally, it would destroy my work.
The work needs to get out of your head and on to the table, and it needs to be done from the heart.
I'm drawn to a lot of tragedies, and I love a Greek tragedy.But I would think - I start thinking realistically about it, and performing eight days a week, that would take a toll. I take things to heart. I don't know if I could survive, like, "Medea."
When I started acting, everyone told me to get a backup in case it didn't work out; if there was something else I could have done, I would have done it. Acting should never be your chosen path if you can help it.
The root cause of abortion is the failure to be satisfied in God as our supreme love. And, for all the great legal work that needs to be done to protect human life, the greatest work that needs to be done is to spread a passion - a satisfaction for the supremacy of God in all things. That's our calling.
Anything dark and emotionally complex, I'll do it. You're acting, but when you take an acting role, you have to live it. You're living the life of that person.
Us on hard drugs? That would be horrible. We'd probably end up sounding like Bryan Adams.My girlfriend has this quote in her sketchbook: Remain orderly in your life so you can be free and chaotic in your work. I think basically you lose it when you destroy your brain or destroy yourself emotionally or burn yourself up.
One must take things lightly, after all, we are entertainers and acting isn't rocket science. The trick is, not to take criticism to the heart or analyse things too much.
Successful leaders don't start out asking, 'What do I want to do?' They ask, 'What needs to be done?' Then they ask, 'Of those things that would make a difference, which are right for me?'
If only it were all so simple! If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?
I'd done two years' worth of extra work, and all my friends who I would go on auditions with went to school for acting. These were kids who knew when they were 14 years old that this was what they wanted to do with their lives, and they prepared for it, and they're getting canned at every audition.
Superior leaders get things done with very little motion. They impart instruction not through many words, but through a few deeds. They keep informed about everything but interfere hardly at all. They are catalysts, and though things would not get done as well if they were not there, when they succeed they take no credit. And, because they take no credit, credit never leaves them.
There are certain things I learned when I first started learning about acting, to try and place the character physically and emotionally. And the way you place them emotionally is often with humor.
At a conservative estimate, there are probably a million men and women in their twenties and thirties who would happily work long hours doing what most needs to be done, if they were paid something for it.
I've always done method acting. I'm a method actor, and I've done that for years. I never did acting and decided to take it seriously because all the parts people want me to do were playing the pretty role. If I want to play someone pretty, I'll play myself.
There were two things that became apparent, pretty quickly into the process. One was that the muscles didn't take as much reconditioning as I thought they would. It was more like voice acting than I thought it would be. You're using your whole body and there are things that are different, but when you are doing a character, even in the booth, nobody is watching but my face will do different things when I do different characters.
I like things that are never one way. Usually, emotionally, I make the films based on a type of energy. I try to work with things that are more difficult to articulate. And so, that's more of a feeling. And so, the things that have attracted me are more of the things that are morally complicated or emotionally complicated.
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