A Quote by Ayelet Waldman
When the babies were very young, I found it difficult to write. I told myself each time that it would be different, I was used to it now, but with every child, for the first four months, I would accomplish nothing.
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I always found the extraordinary loss of life in the First World War very moving. I remember learning about it as a very young child, as an eight- or nine-year-old, asking my teachers what poppies were for. Every year the teachers would suddenly wear these red paper flowers in their lapels, and I would say 'What does that mean?'
So what that he had children with other women? He was always truthful, he always told me when another child was on the way. He would even bring the babies to me when they were born, and sometimes I would even bring them up myself.
If I would get an album out every eight months and if I would write songs that were more up-tempo and try to focus more on making singles, then I could probably get more attention. But I don't think the albums would be very fun to listen to, and it would be a drag for me.
My first venture was to trade bicycle parts and hosiery yarn. The initial days proved to be difficult, and I earned very little from my business. But I kept at it. Each day, when I retired for the night, I told myself that money would come in the next day.
As a young child, being different is isolating, and as a teenager it's humiliating. I wish I had been able to stand out with more confidence when I was a child, and especially when I was a teenager. I was different, but it wasn't always a conscious choice, and it often made me miserable. But I'm all grown up now, and so are you. Today, difference is your strength, your power, and your trademark. It's your signature. It can still be difficult to be different--sometimes even harder than it used to be. Even so, it's time to embrace being yourself. It's time to be authentic.
And so I write the way I myself would like the book to be – if I were a child. I write for the child within me.
Lemony Snicket. Now, I'm told - the books, of course, starting from the very first one, became hugely popular, selling millions and millions. And I understand that when you used to go around to talk to your very young fans, you would appear as Lemony Snicket's representative or agent.
Each of my books has taken me a different length of time to write - eight months for Seesaw Girl, eight months for Shard, three years for When My Name Was Keoko! The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
Each of my books has taken me a different length of time to write - eight months for 'Seesaw Girl,' eight months for 'Shard,' three years for 'When My Name Was Keoko!' The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
In Cuba, I would start the first two months hitting around .260 with three or four home runs. After the first half of the season, I would get hot, and that's when I would have my best results.
It was such a whirlwind for us for about three to four years there that, every time we turned around, we were pulled in 90 different directions, and I look back on that now, and they're such wonderful memories, but you kinda wish that you would've taken the time to savor them a little bit more.
It was difficult when I was very young because I was so separated from my family. When I was at school or acting in a play, I felt very much part of something, and then it would always change, and I would be by myself.
I had to introduce a lot of people into my writing environment which I thought at first I would find really difficult, but I actually found that I loved it. It meant that I was meeting different people; it meant that I was expressing myself in different ways.
I would get up at 3 in the morning and write. Or sometimes I would write at midnight. Or I would write when my child napped. It wasn't a burden. I was so enthused about what I was doing at the time that I really didn't mind.
I was a very imaginative child, and my parents were very encouraging of that. My sister and I would put on plays; I would write my own stories.
I would suppose I learned how to write when I was very young indeed. When I read a child's book about the Trojan War and decided that the Greeks were really a bunch of frauds with their tricky horses and the terrible things they did, stealing one another's wives, and so on, so at that very early age, I re-wrote the ending of the Iliad so that the Trojans won. And boy, Achilles and Ajax got what they wanted, believe me. And thereafter, at frequent intervals, I would write something. It was really quite extraordinary. Never of very high merit, but the daringness of it was.
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