A Quote by Ayelet Zurer

I've always had questions about how things work and why it was that way. From all kinds of perspectives, from the physical to the spiritual. — © Ayelet Zurer
I've always had questions about how things work and why it was that way. From all kinds of perspectives, from the physical to the spiritual.
I wanted to answer big questions about humanity, about how it is that we understand about the world, how we can know as much as we do, why human nature is the way that it is. And it always seemed to me that you find answers to those questions by looking at children.
Why do people think the spiritual life demands withdrawal from the ordinary? Because they've been taught, at least by implication, that the physical is a block to the spiritual. When we assume that the spiritual, unlike the physical, is impervious to corrosion, then we assume that all things material are not to be honored. But the fact of the matter is, the material is the vehicle of the spiritual.
I remember coming on my first set and it being a playground of things I wanted to ask questions about: cameras and lenses and what the lenses do, what's the focus puller doing and how does that work? Why is there less margin for error when there's less light? I was always asking questions and watching directors closely.
Curiosity is a key building block. The more curious you are, the more creativity you will unleash. A great way to do that is to ask the three "magic questions" again and again... those questions are simply, "Why", "What if?", and "Why not?". Asking these questions constantly focused you on the possibilities and away from how things are at the moment.
Strategic Work is all about the big questions: Who? What? When? Where? Why? Tactical Work is all about answers: This is the system we use to do each task. This is how we do it, how we measure it, how we monitor it.
What I do, basically, is look at things from different angles. That is what I do on stage comedically, and that is what I do in art. I was always fascinated by the structure of things, why things work this way and not that way. So I like to see how things behave if you change the point of view.
I use all kinds of resources for researching my novels. I'm not shy about calling up experts and asking questions, or emailing, or buying textbooks and references. The Internet is always a brilliant way to find instant facts, but it's not a great way to really understand your subjects in depth without a lot of work.
As a kid I had all kinds of questions about how I fit it with my neighborhood and friends and other Latinos.
The mathematical question is "Why?" It's always why. And the only way we know how to answer such questions is to come up, from scratch, with these narrative arguments that explain it. So what I want to do with this book is open up this world of mathematical reality, the creatures that we build there, the questions that we ask there, the ways in which we poke and prod (known as problems), and how we can possibly craft these elegant reason-poems.
I have a natural curiosity about things, in general. I'm constantly trying to find out how things work and how I can put them back together again, and why they work that way. The natural world is all around us.
Why am I doing the work I'm doing? Why am I friends with this person? Am I living the best life I possibly can? Questions are often looked upon as questions of doubt but I don't see it that way at all. I question things to stay present, to make sure I'm doing what I'm supposed to be doing.
It's rare that I'm not at work on some sort of craft project. I've often enthused about the need to make things; how it employs a unique set of muscles - physical, intellectual, spiritual - that I can attain a state of flow when making something that I almost never can when writing.
Never in his life had occasion to ask himself, "Why are things the way they are?" Why should he bother, when the way they were was always perfect? Why are things the way they are? The question to which there is no answer, and up till then he was so blessed he didn't even know the question existed.
Poetry has in a way been my bridge to my acting career. I had so many questions about my life, so I took to poetry to express my questions. I had questions about politics, family relationships, and more.
Illnesses which occur because of physical causes should be treated by doctors with medical remedies; those which are due to spiritual causes disappear through spiritual means. Thus an illness caused by affliction, fear, nervous impressions, will be healed more effectively by spiritual rather than physical treatment. Hence, both kinds of treatment should be followed; they are not contradictory.
I guess I was just always one of those guys who asked those fundamental questions: 'Who am I? What's this for? Why? What does this mean? Is this real?' All these pretty basic questions. I like making movies about people who are self-conscious in that way, and are trying to feel their way through the world.
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