A Quote by Ayesha Takia
Once cannot know if the film is going to be a hit or not so as an actor I choose films that excite me.
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The poor show of a film can be crucial in an actor's career. Maybe that is why some actors choose to act in a lot of films, so as not to be affected by a single hit or a flop.
Acting is closed and 'Dabanng' will be my last film as an actor in Bollywood. I don't know, it does not excite me anymore and I have always believed I am a limited actor.
I bring excitement on the sets. I'm an exciting actor, overrated, exaggerated. But I'm not an unexciting actor. I excite people. I never lose hope. If I feel that a film is going wrong somewhere, I do even better.
If people ask me, 'For you, what is your most important film?' I have a feeling that they all sort of want me to answer with one of the Bergman films. But I cannot choose.
The role has to excite me as an actor. It is like a train journey: you know where you have to reach, and all things that happen in between are like stations that come and go. Of course, there are films like 'Welcome,' which I did only for money.
TV and films are same for me. I took a decision to be an actor, and I am an actor. I never decided to be TV actor or film actor.
Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
I feel that, irrespective of a hit or flop, there's always pressure on an actor. When you give a flop, there's a pressure to ensure that the next film works, and when you give a hit, you want to keep it going. So, the pressure of success and failure is always there, and that's what keeps me going.
It would be a dream to do a film with Pedro Almodovar and that whole crew of Spaniards. There's this Argentinian actor who's one of my favorite actors in the whole wide world. His name is Ricardo Darin, and he's a brilliant actor. He does a lot of Argentinian films, and I know he does a lot of European films, as a Spanish actor.
I think my mom is the inspiration of me wanting to do film and TV and be an actor because she loved film so much. She loved, like, horror films and action films, so growing up, she loved watching all the Charles Bronson films and all the westerns.
I'm not going to do a film unless there's something in it to excite me.
Every actor, director, and producer want all their films to do well. So you choose the role carefully, listen to the script, and work hard. But there is no way of predicting whether it will be a hit or a flop.
I thought I was going to be a theater actor. I moved to New York after college and did some plays and worked a lot. Once the realities of living as a theatrical actor hit me, I realized I wanted to start making a little bit of money and not have to bartend and work in theater.
As an actor, I feel, I should not choose a film just to help get great box office results but one that challenges me as an actor and gives me the pleasure of playing a certain role.
The fact is that you could not be, and still cannot be, a 25-year-old homosexual trying to make it in the British film business or the American film business or even the Italian film business. It just doesn't work and you're going to hit a brick wall at some point.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
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