A Quote by Ayman Odeh
When I read Malcolm X, I didn't agree with it all, but I inhaled it; I connected to his rage.
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This is where our obsession with going fast and saving time leads. To road rage, air rage, shopping rage, relationship rage, office rage, vacation rage, gym rage. Thanks to speed, we live in the age of rage.
The rage was in me, and if it wasn't for the rage, then I wouldn't know how to be calm. They feed off of each other. Just like when Malcolm X fed off Martin Luther King. They needed each other.
I always had a deep affection for Malcolm and felt that he had a great ability to put his finger on the existence and the root of the problem. He was an eloquent spokesman for his point of view and no one can honestly doubt that Malcolm had a great concern for the problems we face as a race.
Malcolm: A karate master does not kill people with his bare hands. He does not lose his temper and kill his wife. The person who kills is the person who has no discipline, no restraint, and who has purchased his power in the form of a Saturday night special. And that is why you think that to build a place like this is simple. Hammond: It was simple. Malcolm: Then why did it go wrong?
I always tell my students that Malcolm X came both to his spirituality and to his consciousness as a thinker when he had solitude to read. Unfortunately, tragically, like so many young black males, that solitude only came in prison.
The MMI brothers, who provided security for Malcolm X had been trained by Malcolm himself that inside of the Nation of Islam, whenever there is a diversion, you protect the principal. The principal, in this case Malcolm, clearly was not protected on February 21st [1965].
Elements within Malcolm's X own entourage, some of them were very angry with some of the changes that had occurred with Malcolm. One source of anger, curiously enough, was that - was the tension between MMI and OAAU, that the MMI, the Muslim Mosque Incorporated, these were women and men who had left the Nation of Islam out of loyalty to Malcolm, but then Malcolm continued to evolve rapidly.
I didn't read this book--I inhaled it. This a terrific new take on a great old rock n roll story, a clash of the musical titans.
Coming up, the music of my era was very conscious. I grew up on Public Enemy, and it was popular culture to be aware. People were wearing Malcolm X T-shirts and Malcolm X hats. It was a very cool thing to know who Malcolm X was. It was all in the lyrics. It was trendy to be conscious and aware.
Rage cannot be hidden, it can only be dissembled. This dissembling deludes the thoughtless, and strengthens rage and adds, to rage, contempt.
I have asked James Shabazz, I've asked other people who are members of the OAAU, Herman Ferguson and others, what led to that disastrous decision [that the guards didn't carry weapons]? James Shabazz said to me with a shrug, you just didn't know Malcolm. Malcolm was adamant, and that whatever Malcolm wanted, that's what we just did.
Most people who read the autobiography perceive the narrative as a story that now millions of people know, and it was - it's a story of human transformation, the powerful epiphany, Malcolm's X journey to Mecca, his renunciation of the Nation of Islam's racial separatism, his embrace of universal humanity, of humanism that was articulated through Sunni Islam. Well, that's the story everybody knows.
There's so much rage in the world now and I'm finding poems to be the place where I want to stay. I rage and rage and then write a poem and return to breathing.
When 'Malcolm in the Middle' was over, I was looking for a drama more than a comedy...but if it was a comedy that came up, it would have to be as well-written as 'Malcolm' was, and it would have to be a different kind of character than I played on that show. That's harder to come by. In drama, there were more opportunities, more options for me, and when I read ('Breaking Bad'), it was just, 'Good night, Nurse! I'm going after this sucker!'
The NYPD was ubiquitous. They were always around Malcolm X. Whenever Malcolm spoke, there would be one or two dozen cops all over the place.
As the style of Faulkner grew out of his rage--out of the impotence of his rage--the style of Hemingway grew out of the depth andnuance of his disenchantment.
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