A Quote by Ayn Rand

Indiscriminate tolerance and indiscriminate condemnation are not two opposites: they are two variants of the same evasion. To declare that “everybody is white” or “everybody is black” or “everybody is neither white nor black, but gray,” is not a moral judgment, but an escape from the responsibility of moral judgment.
Indiscriminate tolerance and indiscriminate condemnation are not two opposites: they are two variants of the same evasion.
Everybody says it: black, white; everybody calls me a legend. Italians, Jews. Everybody.
Everybody says it: black, white; everybody calls me a legend. Italians, Jews. Everybody
There is not a history of black intellectuals being allied with dominant forces to hold white people in social and cultural subordination for a few centuries. Second, the "our" of black folk has always been far more inclusive that the "our" of white folk. For instance, there would have hardly been a need for "black" churches if "white" churches had meant their "our" for everybody - and not just white folk. But "our" black churches have always been open to all who would join. The same with white society at every level.
A hoodie is worn by everybody: kids, white men, white women, black men. But it clings to the black body as a sign of criminality like nothing else.
I say it in the writers' room all the time: My black is not your black. What's terrifying is that, just the same way we've all accepted that normal is white, everybody seems to buy into the idea that there's only one way to be black or one way to be Hispanic. That's as damaging as anything else.
There is a natural disgust in the minds of nearly all white people to the idea of indiscriminate amalgamation of the white and black races... A separation of the races is the only perfect preventive of amalgamation, but as an immediate separation is impossible, the next best thing is to keep them apart where they are not already together. If white and black people never get together in Kansas, they will never mix blood in Kansas...
Black! Black! Black! I am proud of being a Negro. Nor have I ever tried to beg tolerance from anyone. Superiority is not proved by color, but by the brain, by education, by willpower, by moral courage.
That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
I’m sure there’s some self-help cheese-ball book about the gray area, but I’ve been having this conversation with my friends who are all about the same age and I’m saying, ‘Y’know, life doesn’t happen in black and white.’ The gray area is where you become an adult the medium temperature, the gray area, the place between black and white. That’s the place where life happens.
Everybody knows I wear a lot of black. When I pack, my whole bag is nothing but black, but sometimes, I have, like, a few pieces that are white, but it's rare.
I'm very proud to be black, but I'm just as much black as I am white. But I want tell stories that everybody can relate to, so I don't care who's opposite me.
...Do you see things in black and white, or are there shades of gray for you?" "I hope there's gray...Black and white make things easier, but only if you don't want to think.
I'm from New Orleans, Louisiana. It's not a black-and-white type of thing down there. It's a very cultural place. Everybody has the same accent. It's not like if you're white we can't hang with you or anything like that. So it's easy for us to call each other out on our things.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
I don't trust white critics' judgment about most things that deal with black life, particularly when a black person is the creator.
This site uses cookies to ensure you get the best experience. More info...
Got it!