A Quote by Ayobami Adebayo
Wole Soyinka's 'Death and the King's Horseman' is a play I go back to and I read often.
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When I was a child, there were two Nigerian writers in every bookshop: Chinua Achebe and Wole Soyinka.
I admire Toni Morrison, Wole Soyinka, Margaret Atwood, James Baldwin, Elizabeth Strout, D. O. Fagunwa, Sefi Atta, Chimamanda Ngozi Adichie, Colm Toibin and Junot Diaz. It's a long list that keeps growing.
Toyin Falola has given us what is truly rare in modern African writing: a seriously funny, racy, irreverent package of memories, and full of the most wonderful pieces of poetry and ordinary information. It is a matter of some interest, that the only other volume A Mouth Sweeter Than Salt reminds one of is Ake, by Wole Soyinka. What is it about these Yorubas?
I haven't read all of The Witcher novels. And that's only because I am very thorough. I read every detail and often have to go back to the page before and read it again, and I ask questions as I go along, since I am that character.
Any older actor knows the last great mountain to climb is to play King Lear and now, if I ever play Lear, I will have done the pre-preparation because I had to go into the play and read it over and over again.
I sit at home and read books. I watch movies. I watch television. I go and play golf. I don't go to nightclubs. I don't go out to dinner that often. I'm not a big party guy.
Normally, when I read a script, I read 30 pages, and then go have a cup of tea and come back. And then, I read 20 pages and go make a phone call, and then go back to it.
When we're out touring, we often go to clubs to see people play. The alternative is to go back to the hotel And that's no good.
Cast a cold eye on life, on death Horseman pass by
When I'm making a new ballet, I usually read through the score a little bit, and then I have to go back and translate or transcribe all the counts for dancers because the way that you hear it is completely different from the way the musicians read and play it.
There are so many places, particularly right now. Go and volunteer at a food bank. If you play the piano, go play the piano in an Alzheimer's home. Or read in an Alzheimer's home. Help a military family with babysitting. The opportunities are endless. People often think 'They want me?' or 'I can be of help?' What we try to say here is 'Be who you are.'Feel that, live it and pass it on.
I set out to become the greatest lover in Vienna, the greatest horseman in Austria, and the greatest economist in the world. Alas, for the illusions of youth: as a horseman, I was never really first-rate.
Soyinka's Death at Dawn, Auden's Musée des Beaux Arts, Stevie Smith's Not Waving but Drowning and Wislawa Szymborska's Some People come to mind immediately. But there are plenty, plenty more that I enjoy.
When I read commentary about suggestions for where C should go, I often think back and give thanks that it wasn't developed under the advice of a worldwide crowd.
To go back is nothing but death; but to go forward is fear of death and life everlasting beyond.
Social media really makes it tricky for people sometimes because you go, 'Oh, it's awesome. I'm gonna play this character. I'm going to do this really weird thing on camera,' and then you go back and read all your tweets and go, 'Mmm, well, I guess they didn't like that so much.'
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