I admire Toni Morrison, Wole Soyinka, Margaret Atwood, James Baldwin, Elizabeth Strout, D. O. Fagunwa, Sefi Atta, Chimamanda Ngozi Adichie, Colm Toibin and Junot Diaz. It's a long list that keeps growing.
My books are often shelved around those of Chinua Achebe and Margaret Atwood, or Chimamanda Adichie and Monica Ali. All of this depends, of course, on the bookstore and how conversant the shelf stocker is with the alphabet.
I was influenced growing up by everything from Harlequin romances to Fedor Dostoyevsky and Albert Camus, James Baldwin, Toni Morrison, and later Lydia Davis, Mary Gaitskill, bell hooks.
I still love Carson McCullers and Raymond Carver and Toni Morrison and James Baldwin.
I encourage everyone to read James Baldwin and Malcom X and Aldous Huxley. To read Primo Levi. To read 'Silent Spring.' To read Toni Morrison. To read Zora Neale Hurston.
I grew up in a world where authority was female. I never thought to call myself a feminist because of branding. I had this skewed idea of feminist: I thought it meant being a woman who hates men. When I read Chimamanda Ngozi Adichie's We Should All Be Feminists, I was like, "Oh, this is what my mom taught me. This is simple. I don't understand why everybody is not this."
I don't know Beyoncé, but I have the impression that she's sincere, that she really is a feminist and wanted to put the word out there to make it a good word in a big way by putting it in big letters on the stage, and especially because she was quoting the African novelist Chimamanda Ngozi Adichie who said, "We should all be feminists." She's a very accomplished and important novelist.
Wole Soyinka's 'Death and the King's Horseman' is a play I go back to and I read often.
When I was a child, there were two Nigerian writers in every bookshop: Chinua Achebe and Wole Soyinka.
I like a lot of Margaret Atwood, I like much of Alice Munro. Again, if you were to ask me about male writers, there's often a novel I admire, but not all of their works.
I love Roald Dahl, Sharon Olds, Nizar Qabbani, who is a poet, and Junot Diaz.
If you look at my personal library, you will notice that it ranges from Henry James to Steig Larsson, from Margaret Atwood to Max Hastings. There's Jane Austen and Tom Perrotta and volumes of letters from Civil War privates. It's pretty eclectic.
I am sometimes asked to name my favourite books. The list changes, depending on my mood, the year, tricks played by memory. I might mention novels by Nabokov and Calvino and Tolkien on one occasion, by Fitzgerald and Baldwin and E.B. White on another. Camus often features, as do Tolstoy, Borges, Morrison and Manto.
I took a couple of creative writing classes with Joyce Carol Oates at Princeton University, and in my senior year there, I took a long fiction workshop with Toni Morrison. I fell in love with it.
In the two-room flat where I live in Japan, I try to take time every day to step away from the bombardment of e-mails and opportunities and papers around my desk, for an hour, and just sit on our 30-inch terrace in the sun, reading something sustaining, whether 'The Age of Innocence' or the latest by Colm Toibin.
I love Toni Morrison and Jeanette Winterson. 'The Passion' is my favourite book.
I read 'Song of Solomon' by Toni Morrison in college, and it just blew my mind.