A Quote by Ayshay

For instance, members of the elite will never allow their children to become musicians normally, because it's - not embarrassing - but it's not done. There's a very famous composer from the '70s from a well-known family that disowned him, and he's a man, so there's this historical precedence with their relationships with musicians - not so much music as it's this abstract thing - but externally with artists.
Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
I always tell people that, just to be a bad jazz musician, you have to be better than most musicians. The worst jazz musicians are normally better than most musicians, because you have to know so much.
When I was 14-15 years old I was able to earn a little money from time to time but I'm not complaining since, very soon I could provide a normal living. I was discovered also by other musicians and they asked me to work with them. Even in my early age several well-known artists asked for my services both on the stage and in the studio. This experience proved to be very useful, musicians showed me various musical situations and various music experiments.
The best musicians or sound-artists are people who never considered themselves to be artists or musicians.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
I believe in the spiritual warfare. There are people who pick sides. The lord of this world is Satan. You can do a deal with him to have all the pleasures of this world. You can go to youtube and search Illuminati, and you'll see stuff you wouldn't believe about very famous musicians and their musicians that are very clearly Satanic images.
Starting off in music, the purpose of it was not to become like well known on the street and be famous. You know, I didn't even think about that part of being famous. Famous for making records, yes, but famous face in a woman's magazine, I never thought of that. I didn't want that.
My interactions with musicians have been simply that: interactions with musicians. Issues of gender, or anything else beyond the music-making, have in my experience played no role in whether or not a musician has been able to articulate my intentions as a composer.
The music business will be revitalized by musicians, not the labels or Live Nation. When the musicians decide to put music first, instead of money, the public will flock to the fruits and the scene will be healthy again.
The vibrations on the air are the breath of God speaking to man's soul. Music is the language of God. We musicians are as close to God as man can be. We hear his voice, we read his lips, we give birth to the children of God, who sing his praise. That's what musicians are.
Music is a spiritual thing, you don't play with music. If you play with music you will die young. You see, because when the higher forces give you the gift of music...musicians hip, it must be well used for the gift of humanity.
I began as a violinist, not a composer. Thus my contact with orchestral musicians, with the source of music, is very important.
In London, the most, the biggest thing we have is culture, you know what I mean? That's what we've done for the past 50, 60 100 years, this is what we've done. My worry is that that will change but actually, that will never change because musicians will just go somewhere else.
What people really should be able to be confident in is that the standards of music- making that classically trained musicians present is elite, it is the best and all of us as artists should be committed to that.
My dad's side of the family had lots of artists and musicians. There's an emotional, quite sentimental quality to Slavic culture. It's very open, it loves art, it loves music, it loves literature. It's very warm, it's very up, it's very down. I would celebrate that.
Out of doing all that experimentation with sound I decided I wanted to do it with live musicians. To take repetition, take music fragments and make it live. Musicians would be able to play it and create this kind of abstract fabric of sound.
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