A Quote by Ayshay

I only have a Bachelor's Degree but I've had professors who have instilled this kind of academic rigor in me where I don't make any generalizations or closed statements. There always has to be room for interpretation.
It is very easy to make wild generalizations about Islam. All you have to do is read almost any issue of The New Republic and you'll see there the radical evil that's associated with Islam, the Arabs as having a depraved culture, and so forth. These are impossible generalizations to make in the United States about any other religious or ethnic group.
I wasn't always interested in technology. I had been a student for a long time - I'd earned a bachelor's degree, a law degree, and an MBA - and decided that I wanted to work in a large corporation, focusing on finance and law, in either New York or Chicago.
I went to see Alison Krauss and Union Station at Disney Hall and I would say it was one of the most astonishing sonic experiences I have had. It's an enormous room that's acoustically perfect. My interpretation of receiving music as a layman is that the way the music kind of settled on me in that room was perfection.
When I studied computer science at Duke University in the first half of the 1980s, I had professors who treated women differently than men. I kind of got used to it. At Microsoft, I had to use my elbows and make sure I spoke up at the table, but it was an incredibly meritocratic place. Outside, in the industry, I would feel the sexism. I'd walk into a room and until I proved my worth, everyone would assume that the guy presenting with me had credibility and I didn't.
In the field one has to face a chaos of facts, some of which are so small that they seem insignificant; others loom so large that they are hard to encompass with one synthetic glance. But in this crude form they are not scientific facts at all; they are absolutely elusive, and can be fixed only by interpretation, by seeing them sub specie aeternitatis, by grasping what is essential in them and fixing this. Only laws and generalizations are scientific facts, and field work consists only and exclusively in the interpretation of the chaotic social reality, in subordinating it to general rules.
I didn't get a Bachelor's degree - I got a Bachelor's of Fine Arts, which means I didn't have to take humanities, math, and stuff like that. I think I had to take Art History, which I failed a few times.
Professors could silence me then; they had figures, diagrams, maps, books.... I was learning that books and diagrams can be evil things if they deaden the mind of man and make him blind or cynical before subjection of any kind.
I majored in drama and theater arts at Columbia and was always in acting studio, but that was a liberal arts degree, not a bachelor of arts degree, so I didn't have a traditional conservatory training. There was a lot of reading and a lot of writing involved, and only about 30 percent of my classes were directly theater-related.
I really can't claim ever to have had an exceptionally close relationship with a minister. I'm always there. I pay my pledge. I listen and observe with interest. I'm very sympathetic with the rigor and the aesthetic quality of what they do. Aside from that, I don't have a kind of personal experience with any of them that I could consider privileged, so to speak.
If you're any kind of artist, you make a miraculous journey, and you come back and make some statements in shapes and colors of where you were.
Whenever you do a new interpretation of a great, previous text of any kind, you always look for some kind of immediate significance right now.
I always felt caged, closed in, like I was punching at things that weren't there. I always had too much energy for the room I was in.
If you try to make your circle closed and exclusively yours, it never grows very much. Only a circle that has lots of room for anybody who needs it has enough spare space to hold any real magic.
I was always fascinated with science, and being Persian, it's instilled in us at a young age to follow something very academic in our career.
I wanted to stay in New York to pursue acting, but my dad urged me to get a four-year degree. Reading about the film school at Florida State University, he suggested I go there. I received my bachelor's degree in 2003.
I had studied history at Brown and didn't feel like doing anything with it. What does one do with a history degree besides become a historian? And the professors in school, it seemed like they were just writing books for other professors to comment on, and vice versa - it was the most self-referential, boring world you could ever imagine.
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