A Quote by Azim Premji
With the attention I got on my wealth, I thought I would have become a source of resentment, but it is just the other way around - it just generates that much more ambition in many people.
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There's one other interesting thing about Western democracy. It didn't arrive at the end point that Karl Marx thought it would that wealth would become more and more concentrated in the hands of the few, that eventually the few would be killed by the many who were deprived, and that a different kind of government would then develop. What happened in Western democracy is that we began to understand that a democratic system can't work if half of the people are starving and the other half are dieting.
I meet a lot of people who are awkward around me now. I was always embarrassed about that; the more attention I got, the less I wanted it and the more it would manifest in a physical way and I would be hunched over about it. I'm just starting to realise now that it's not my problem, it's somebody else's problem.
It's kind of like being a writer in the sense that you always hear other writers say, 'Well, the best way to start writing is to just start writing.' The same goes for improvisation. You want to start improvising, just start playing notes. And the more you do that, the more comfortable - or not comfortable - but I guess how you're able to adapt to situations. You become more familiar with your instrument. As soon as you have a musical thought, you can go ahead and add to that musical thought and know your way around.
I don't like to be noticed. The older I've got, the more reclusive I've become. I've got late-onset shyness. People are lovely. When they see me in the street, they don't ask for anything from me. They just say: 'I thought it was you, and I just wanted to say how much I enjoy your books,' but I can't seem to cope with it anymore.
When I got this saxophone, it became a religion. There wasn't TV, there wasn't much money, and there was just a real dedication.... I never thought of it as an art. It was just work that I loved. Not just work, but work that I loved. I loved it so much, I would play it if nobody listened to it. Any jazz musician, if there's nobody around to listen, would play just for the sheer joy of improvising music.
When I got into this, I never thought about reviews. I never thought about what people would say about me, I was just a young guy who was excited to become a comedian and an actor, and I just wanted to get to do what I got to do.
To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do.
When I met someone who I thought was really talented, I would just be like, Wow! How did you get that way? And I met a lot of people who would just do anything to claw their way to the top, and it was just shocking and awful for me to see that for the first time. And now I live in Manhattan so I have become desensitized to that.
I think if people thought we were just like the other parties and would ditch our policies at the first moment we thought we wouldn't get a majority, then we'd become just like all the other parties.
Dialogue is really aimed at going into the whole thought process and changing the way the thought process occurs collectively. We haven't really paid much attention to thought as a process. We have engaged in thoughts, put we have only paid attention to the content, not to the process. Why does thought require attention? Everything requires attention, really. If we ran machines without paying attention to them, they would break down. Our thought, too, is a process, and it requires attention, otherwise its going to go wrong.
My idea was you can't dress for the stage, you have to dress all the time like you're onstage. And so I would just always wear suits or some form of it. I wanted people to know I played music. That was kind of how you would find other people: you would just walk around looking a certain way and end up meeting someone who liked the way you look.
The more successful I got, the more scared I got. My name was all over Google. I had a Wikipedia page I was terrified to look at. And so I just snapped. I thought, 'If I'm going to come out with this, I'm going to do it in a big way. And not just for myself. This can't just be my story.'
I feel that one of the roles of the artist, in the way I define it, is that I need to be not just someone observing these tiny pockets of people on the planet who have devoted their lives to preserving whatever it is they're passionate about. I want to be them. I am one of them. I just have a different outlet and final outcome as an artist than many of them would. For them, the process can just end in holding on to it, just knowing they've got it tucked away in their private collection. I value that so much, but I feel the conversation dies in a way there.
I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor, and I just wanted to get to do what I got to do.
My dream was to become a rec league coach. I love basketball so much, I love playing it, I just never thought I'd make it to college, NBA, or be standing up here today. It is a surreal feeling. So many people doubted me and motivated me. I failed so many times and got back up. I got through the toughest times with my family, but I'm still standing.
What is the source of all this trouble? I'm saying that the source is basically in thought. Many people would think that such a statement is crazy, because thought is the one thing we have with which to solve our problems. That's part of our tradition.
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