A Quote by Azita Ghanizada

TV and film has defined my entire life. — © Azita Ghanizada
TV and film has defined my entire life.
With 'Sharknado,' they've got a great mix of TV and film. This is a film that has film impact in the TV medium.
Film and television are very different. On the TV show, we do seven or eight scenes a day, so time and money are of the essence, and we have zero room for creativity because you've got to do each scene in only five takes. Whereas, on a film, you have an entire day to film one scene, so you have so much time to choose how you want to fill in a scene.
For me, as an actor, going from TV to film was interesting because TV and film are two very different things.
I prefer film to TV because of the amount of time film affords you that TV doesn't (though theater is probably my favorite and the scariest place of all).
When you're doing the work, film and TV are exactly the same. TV is just film in reduced pieces.
I have grown up in a small city where watching TV is a ritual and Balaji has defined TV in so many ways.
The TV set, or Satanic family altar, has grown more elaborate since the early 50s, from the tiny, fuzzy screen to huge ‘entertainment centers’ covering entire walls with several TV monitors. What started as an innocent respite from everyday life has become in itself a replacement for real life for millions, a major religion of the masses.
Film noir is not a genre. It is not defined, as are the western and gangster genres, by conventions of setting and conflict, but rather by the more subtle qualities of tone and mood. It is a film 'noir', as opposed to the possible variants of film gray or film off-white.
Immigration has defined my entire life. My parents left Mozambique with nothing but their wits in search of a better life for their kids. They moved to England in the 1970s, saw the classism there, and left for America soon after.
The problem with me and TV shows is once I start watching them, I have to watch them all because I'm so impatient. I need the entire series to be on TV, and then I'll sit all day and watch the entire thing. So I did that with 'Homeland,' and I did that with 'Veep.'
The most frustrating part of working in TV and film is that you have to convince someone to let you make what you want; in comics you can do whatever you want and for 1% of the budget of TV and film.
There is no better story in the Old Testament, or perhaps the whole Bible, for depicting the difference between the ladder-defined life and the cross-defined life than that of the Tower of Babel.
The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director.
I've always loved theatre because it's so immediate. The challenge of it is that, career wise, it's easier to get traction in the industry if you do film and TV because the audience is larger, and because the work can be seen for a longer period of time. I did solid work in a series of regional and Off-Broadway shows, but the work I did on TV or film will have a longer life with a larger audience (and with services like Netflix). Ultimately, there's something intimate about TV, because the storytelling and the actors come home with the viewer. It can be powerful because of that.
I think one of the hardest things to do in film or TV is to make something feel real, which is weird because it's about being a person, and life is something that everyone making films and TV can relate to.
I grew up in a town with no movie theater. TV was my only link to the outside world. Film wasn't such a big deal to me. It was TV. So much so, that when I meet TV stars now... Not my co-workers, but real TV stars, I get nervous. I freak out around them.
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