A Quote by Aziz Ansari
What's cool about Twitter is that you can make a joke about something very of-the-moment or random that I wouldn't be able to joke about in stand-up.
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Twitter is a good medium to lean how to write jokes. It pushes you to write a better joke in that, on Twitter, the first joke about something has already happened. You need to think of the second joke and the third joke.
Something is mighty wrong with our priorities when professing Christian men joke about their wives, joke about their children, and joke about God, but fight to the death over their favorite sports team.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
I like to joke about being gay because it's something teenagers would never joke about.
If I make a joke about black people or Asian people or whatever, and then an Asian comes up to me afterwards and says, "That joke offended me," I'm still more or less not going to listen, but at least it makes sense, like I said something that was about them.
About a year after I moved to Los Angeles, I decided I wanted to be a joke writer for a late night talk show. So I met with a late night joke writer and he told me that I should start by doing stand-up comedy, because that would really hone my sense of humor and joke writing ability. Eventually I took a stand-up class and a few months later I had a seven-minute act.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
I will make a joke about any of my family members, about me, about my wife, if I really thought that I'm doing it to be funny. If there's some darkness to it, or I think it's ill-willed or mean or not cool, then I won't do it.
In a weird way, it's not different from any other kind of joke-telling. You make those calculations about jokes about celebrities: is this a fair hit or not? The stakes were higher because the whole world was crumbling around us, but in terms of joke-telling, it's all about feel.
When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.
The difference when I'm writing a story versus writing a joke is that writing a joke is so much more about the structure and it's less about the conversation. To me, the thing that I love about stand-up is the intimacy between performer and audience.To get it even more conversational was something that really appealed to me and that I really enjoyed doing. My early experiments with it, with just telling a story from my life on stage, it was so satisfying to do. And seemingly for the audience as well. It's a different thing, and it's a different feeling and a different vibe.
I want to talk about being a big guy... it's not a fat joke. It's a joke about living the way you live.
I keep on repeating something told to me by an American psychologist: "When you are making a joke about someone and you are the only one to laugh, it is not a joke. It is a joke only for yourself." If people are making a joke they have the right to laugh at me but I will ignore them. Ignoring doesn't mean that you don't understand. You understand it so much that you don't want to react.
I think one of my favorite pieces I've ever done on the show which was about Hezbollah Israel conflict in 2006 and it was very pointed. It was a beautifully crafted piece of satire and it's a weird thing to say but it had a joke in there about 9/11 and I remember the audience sort of laughing but also kind of not knowing how to respond to that joke and it was just so - and I remember the tension after we did this joke on the air and there was this palpable gasp in the audience, but they were also laughing. And I thought oh, wow, that is something that is not being said in the Zeitgeist.
I guess my feeling is that if you’re going to make a joke, that’s fine, but you should also sort of stand behind it, you know? A joke should be more than a joke, it should be a point that you’re trying to make.
I guess my feeling is is that if you're going to make a joke, that's fine, but you should also sort of stand behind it, you know? A joke should be more than a joke, it should be a point that you're trying to make.
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