A Quote by Aziz Ansari

Acting is a plum gig, and then animation is an even more plum gig. — © Aziz Ansari
Acting is a plum gig, and then animation is an even more plum gig.
An umeboshi plum is a little Japensese salt plum. The best thing for motion sickness is to take one of these plums . . . and tape it to your belly button. I'm not kidding you. This really, really works.
In Spain, we mainly use red plum tomatoes, but it is always fun to experiment. Try using a mix of colors or substitute green tomatoes for plum next time you make a tomato dish.
In the old days gigging was everything. The whole of life was about gigs. Everything was about waiting for the gig and then doing the gig and going nuts and then afterwards the party and all the stuff that goes with it. And then that party continues through your twenties and thirties. I'm now 51, and it's still very much in my blood, but I'm really hard pushed... the gig is the party for me now.
I have known people throughout my years of playing where maybe they had a gig, but then lost the gig because they didn't really move forward with them.
He must understand that if he is the world's finest plum and someone he loves does not like plums, he has the choice of becoming a banana. But he must be warned that if he chooses to become a banana, he will be a second rate banana. But he can always be the best plum.
Everybody in Washington wants one of these jobs studies this book. It`s called the Plum Book because the people in Washington turn the pages looking for the plum that they want, the job that they want.
Study the teachings of the pine tree, the bamboo, and the plum blossom. The pine is evergreen, firmly rooted, and venerable. The bamboo is strong, resilient, unbreakable. The plum blossom is hardy, fragrant, and elegant.
You get older and come to the conclusion that it's a great gig making music. Even if you turn into an old gnarly fart, no one cares what you look like if you write good songs - the only gig is to sing well and perform.
Generally, what I try to do is always have a money gig and an art gig.
I always perform live. I've even received a cortisone injection when I was losing my voice before a big gig so I could fulfill my obligation to the promoter. I felt it the days following after the gig in my throat, but it was nice to know I didn't let anyone down. The show must go on.
When I'm tired of taking on too much responsibility as a director I then look for an acting gig.
I went to Montreal. My first gig went very badly. They just weren't laughing at anything. I found out they were a load of Christians, and it was a gig to raise money for a new church roof.
We all lived in the same house, or most of us did. And as far as I can make out we were confined to the property, because at twenty-four hours' notice we'd have to do a gig somewhere. So you couldn't leave the building for more than twelve hours in case a gig came through.
People don't recognize me from gig to gig. They have no idea. But, that's really what I strive to do. I strive to stip myself down completely and build another human and become them.
The weird thing about the subway is no one looks at each other. So I play the O2 in London. It's a 20,000 capacity venue, and then I'll take the subway to my gig, and everyone's going to my gig, and no one looks at you. If anyone does, they say, 'Hey, you look exactly like James Blunt, only smaller.'
I love entertaining people, I love playing music, and I love rocking like an animal. But at a certain point, you're playing gig after gig after gig, in town after town after town, and you're lying down, staring at another hotel-room ceiling, and it's like, 'I want to be home. I'm a dad. I've got kids.'
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