A Quote by Aziz Ansari
After you do a joke a few times, you have material that you know works. Although sometimes I have a joke that has worked a bunch of times and then one night it’ll flop. And that’s when I really take a hard look at myself and say: "Well, that crowd is obviously wrong. That crowd has absolutely no idea what it’s talking about."
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After you do a joke a few times, you have material that you know works. Although sometimes I have a joke that has worked a bunch of times and then one night it'll flop. And that's when I really take a hard look at myself and say: 'Well, that crowd is obviously wrong. That crowd has absolutely no idea what it's talking about.'
After you do a joke a few times, you have material that you know works. Although sometimes I have a joke that has worked a bunch of times, and then one night it'll flop.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
In all honesty I think, sometimes with the LGBT community, if you look at anything else surrounding it, there's always been this oddness and sense of humor. I really appreciate that. It's kind of a hard world to take yourself too seriously. It's a good balance check. It's not serious all the time. I'm that way too, even though I write a lot of depressing music. A lot of times our shows are not very serious at all. We joke a lot and then we play a sad song and then we joke again.
I never turn on the crowd. Sometimes, you think it's a terrible show, and then afterward, sometimes people say they really liked it. So turning on the crowd is only going to alienate the few people who might like it.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
I keep trying to write the crowd-pleasing slavery joke and the crowd-pleasing reparations joke, but any time you mention slavery or reparations in any detail, it seems to bum lots of people out. That's a challenge I keep putting in front of myself.
I never turn on the crowd. Sometimes, you think it's a terrible show, and then afterward, sometimes people say they really liked it. So turning on the crowd is only going to alienate the few people who might like it. What do I do in that situation? Get through it.
If I tell a joke on stage and the crowd laughs for a minute, I stand there for a minute and enjoy them laughing before I go on to the next joke. On TV, if I stand there for a minute while they laugh, I look like an idiot who can't remember the next joke.
About a year after I moved to Los Angeles, I decided I wanted to be a joke writer for a late night talk show. So I met with a late night joke writer and he told me that I should start by doing stand-up comedy, because that would really hone my sense of humor and joke writing ability. Eventually I took a stand-up class and a few months later I had a seven-minute act.
When I look at my audience, I can tell better who's in the crowd and the kind of joke I shouldn't do. It's just complicated. I guess I sift through to make sure these jokes are a little different with not such a harsh edge to them. That's pretty much how I handle the crowd.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
I think I'm determined. And I think if you're determined, you're right. Your behavior is exactly the same when you're stubborn, except then you're wrong. And so, there's times when I'm wrong, and I'd say, "Well, you were the dark side of determined." But I think determination, you know, it's like have an idea, think about the idea, the risks involved. What does it take to get from here to there? And then once you make the choice, you just keep going.
That's the sad thing about it, is that you don't know. And you certainly don't know when you quickly meet somebody. But even as you know somebody longer, it's really hard to know. Obviously you go on your gut feeling but that can be wrong too. ANd it's terrible to have to be wary about people, because it is not my nature, but I've been burned a few times and you just have to careful.
Sometimes you don't really know what you're going to write about. I mean, there's times where you get into a writing room and it's a complete flop. And then there's times where you get to a writing room and you're like, 'Oh, I'm just on a roll.'
I sometimes joke - but the joke is not so wrong - that after my time in East Germany, I could either afford therapy to work through what happened under the Communists or move to New York.
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