A Quote by Aziz Ansari
If someone writes something shitty and you actually address them, most of the time they're just like, "Oh, I'm sorry. I'm a big fan." And they're really nice people. When you're on the Internet, it's people's first instinct to just go after people.
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Not many people remember this, but in the first 'Death Wish' film, Charles Bronson doesn't actually go after the people that hurt his family: he just goes after every punk. He just blows them all away.
In this age of the Internet, if you are going to go see someone, you usually look them up first. It can be an advantage and disadvantage. Most of the time, people can Google you and see a couple clips and say, 'Oh I am going to go.' They can kind of co-sign off on you.
We live in a time where everybody has an opinion and everyone's opinion can be featured somewhere, whether it's an online column and everybody has their form because of the internet. I just find it really shitty that someone who never really produced anything, musically speaking, can just say, "I don't really like it." It just sucks because you put so much work into a record and someone disapproves.
People are really nice in the world. The majority of every single person I meet is really nice. Some people get excited, and some people freak out when they accidentally run into me, but across the board most people are really nice, so I just like to treat people how they treat me.
To a lot of people, my job is really fancy, so they're like, "Oh, whoah, you're a musician, wow!" Some people go to you, "Oh my god, you're a journalist!" And some people go, "What, you're a therapist? That's incredible!" So everyone, to a certain extent, has other people that you get impressed by, without even having a proper conversation or getting to know them. You're just like, "Oohhh, they're a bit fancy!"
Sometimes things aren't a dream because you don't really think it's a possibility. So my goal on a daily basis is just to go to work and be someone that people like to be around. I just want to work hard and be nice to people, and I feel like when you touch people in that way, on a more personal level, then they go to work the next day pushing for you. And that's when an opportunity comes that you wouldn't have even expected otherwise.
One of the things I've found really interesting about the show is that a lot of people really relate to our animal characters, more than we thought they would. Part of that is, because they are animals, people project themselves onto them. If BoJack just looks like Will Arnett, people go, "Oh, I know who that guy is. That's a Will Arnett type." But because he's a horse, people can go, "Oh, I'm kind of like him in some ways."
I just don't like it when people get credited for their voice work and it's really shitty. It's really thin, there's nothing to it, there's no meat behind it. It's, like, "Oh, it's a celebrity."
It's funny; I think I'm at a level of recognizability - is that even a word? - where it's just really nice. I think when people are really famous, it can be hard for them because they feel like it's an invasion. But for me, it's just a few times every day when someone will say something sweet and validating, and it's just the best.
I don't really understand it even now, It does have an angle which is attached to something quite primal in girls. I guess people want it to define them, like 'I'm a Twilight fan.' That's crazy to me. I think people really just like being part of a crowd. There's something just tremendously exciting about hyping yourself up to that level.
It's really weird being placed into something like that because it was never an intention to make bedroom pop. I was just making music. All the people that have that genre placed on them are not the first people to have a home studio and and post it on the Internet.
There was a time when I could walk down the street, Hollywood Boulevard or Beverly Drive, and somebody would come up to you and they would say, "Excuse me," and you'd barely hear them, and you'd turn around and you'd say, "Yeah, how you doing?" and they'd say, "I'm really sorry to bother you, but my aunt is a big fan of yours, and would you mind terribly if you'd just sign this paper," or whatever it is, and you're happy to do that, and the people are pretty nice about it.
I feel like I'm doing something that's worthwhile. I feel like I'm showing something other people haven't shown. I don't get to talk to the people who I photograph, I just go, along, banging away. So I don't really have a relationship with them. A lot of people think it's very important. I don't. It's like love at first sight. I have an impression when I see somebody, and I have an idea of who they are, or what they are.
When I am introduced as someone from New Orleans, people sometimes say: "I'm so sorry." New Orleans. I'm so sorry. That's not the way it was before,not the way it's supposed to be. When people find out you're from New Orleans, they're supposed to tell you about how they got drunk there once, or fell in love there, or first heard the music there that changed their lives. At worst people would say: "I've always wanted to go there." But now, it's just: "I'm sorry." Man, that kills me. That just kills me.
Actually, it's nice when people hate what you do, because it's still a passionate feeling about it. It's kind of when they're indifferent, you're like, "Oh, well, what am I really doing?" It's nice to go one way or the other.
I like shocking people just because, like, I can wear a dress, too. Not even for people to go, 'Oh she's grown up,' but to show people that I'm actually a girl.
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