A Quote by Aziz Ansari
I write characters that are based on elements of people I know and experiences I've really had.
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My role in 'Legally Blonde' was really rewarding, because I had so much fun working on the movie. I've had really rewarding experiences on tiny low budget films that you'll never see but where I had a cool time creating characters as well. I love almost all of the characters I've played.
As an actor, you're afforded these experiences that are once-in-a-lifetime for so many people. More often than not, you can't tell the seasons based on the changing of the leaves, but on the experiences you've had.
All characters are based on elements of a writer's personal experience.
The puppet characters were combinations of people I had known and to some degree aspects of my own personality. Weird was based on someone I knew in Chicago. Dirty Dragon was based on a good friend I had in Indianapolis.
I knew I couldn't do what Eddie Izzard does, so I just tried to write some stories that were based, or partly based, on my own experiences.
Somehow, I realized I could write books about black characters who reflected my own experiences or otherworldly experiences - not just stories of history, poverty and oppression.
The thing that I really like is psychology. I love the human mind. I love the choices you make based on your experiences and instincts and your development based on such experiences and so I guess that's why I love acting so much.
I talk to our kids now that they are grown up, and I ask them about the experiences that had growing up that really had a powerful influence on the way they view the purpose of life. The experiences that really shaped their values - my wife and I have no memory of those experiences!
I'm a brown girl from a Punjabi pind raised in Toronto. I don't expect literary critics and purists to understand the nuances of my experiences, and the experiences of the people around me... And my tradition holds that there is a magic in the written word. So how I write, what I write of, and why I write all comes naturally.
As a black man who doesn't know another black man who hasn't had strange run-ins with police officers, it's impossible for us not to think about whether that could have been us - based on our country, based on our culture, based on our past experiences.
I know who I am as an artist and I know what my sound is, but I wanted to know what I could do in order to take it to that next level. So the experiences I had last year of moving to California and traveling to places like Rome and Nicaragua where I met a lot of people just had a really big impact in my life.
I was a screenwriting major in college, and really wanted to do that after I graduated, but there are no job listings for that, as we all know. I had many classmates that made it in the business, but stand-up comedy was my way in, and my first film 'Sleepwalk with Me' was based on those autobiographical experiences.
You know, a lot of those angry sort of Southern man characters that I've been doing are based on different people I might've had as, like, a soccer coach or as a teacher.
More than anything, I write about what I know. The experiences that I've had in my life and that we've all had collectively, that's what we draw from.
When I write a song, it comes from the heart and is based on a specific experience. You can't really say that one experience is greater than another, because all of your experiences take you through life on this journey.
My stories usually begin with the characters and some elements of how power (personal, political, magical) functions in the world. The rest develops as I write, and research helps a great deal with that. If you're going to write about an agrarian economy, research agrarian economies. If your main character is starving, then you should know what it means for a malnourished body to break down.
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