A Quote by Aziz Ansari

I strapped an MP3 player to one of those floor-cleaning robots. Call him DJ Roomba - little guy cruises around and plays music. What's hot, DJ Roomba! — © Aziz Ansari
I strapped an MP3 player to one of those floor-cleaning robots. Call him DJ Roomba - little guy cruises around and plays music. What's hot, DJ Roomba!
My very clear vision for the ideal Roomba is one you never see and you never touch. Our research priorities are explicitly focused on the Roomba of the future that will deliver on the promise of automatically cleaning your floor.
It's hard not to love Roomba. Roomba had such an amazing impact on the field. When we launched, we asked people, 'Is it a robot?' and got an overwhelming no - 'robots' have arms and legs; they command data. There was a very strong perception that robots had to look like people.
We should get a Roomba for our Roomba. I feel bad for it because it works tirelessly, and at night I can hear it cleaning, and I just feel bad for it.
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
I don't want to be classified as an old-skool DJ or new-skool DJ. I want to be classified as an all-skool DJ who plays it all. I also want to learn to DJ house music in my own fashion.
My Roomba's name is Roswell. There is the moment when you are sitting on the couch and Roomba turns itself on and goes out and starts working. You really appreciate it because it works hard for you, and it deserves some kind of recognition.
It's tough when you're an artist because you get to go around the world and make a lot of friends, but guess what? One day, all these people that you love are going to die, from DJ Mehdi to DJ Dusk to J Dilla to Austin Peralta to DJ Rashad.
I started in '88 to play House music, it was a huge revolution for me. I went to London and I saw a DJ on stage and that was crazy at the time. I was one of the really respected and famous DJs in Paris, but they would never show me. I was hidden. A DJ on stage and people dancing and facing the DJ, looking at him? I was like 'wow!'
The DJ still has the relationship with the people, I believe. I don't know to call the DJ 'the ambassadors' or what, but we still are connecting the dots, getting the good stuff and passing it on to the people. DJs still have relevance, even with the technology that elevates the DJ beyond being a selector.
When we built Roomba, we explicitly designed it to not have a face. We didn't want to think it was cute; we wanted people to take it seriously, so we gave it more of an industrial look. People personified their Roomba anyway. Over 80 percent of people name their robot. We did nothing to encourage people to do that, but they do it anyway.
When we built Roomba, we explicitly designed it to not have a face. We didn't want to think it was cute, we wanted people to take it seriously so we gave it more of an industrial look. People personified their Roomba anyway. Over 80 percent of people name their robot. We did nothing to encourage people to do that but they do it anyway.
I was in Fort Lauderdale from about age 7 to 14. And that's where I learned the most about music. My favorite DJ was this guy named DJ Laz and the Miami bass guys. I was super into, like, Arthur Baker, that kind of stuff.
DJ Tiesto was my first inspiration. I heard him play at the Olympics in 2004 and from that moment on I knew I wanted to make music and become a DJ. I made a bootleg of a track by Enrique Iglesias called Tonight.
I DJ all the time, as much as I possibly can. I'll never stop. That's my security blanket, that's what I'm good at. I still consider myself a better DJ than a singer. I can DJ in my sleep.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
Some nightlife places, people aren't there for the music, and it's depressing. I'm not just a club DJ; I am a producer, and I'll only DJ when the crowd is there to enjoy the music.
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