A Quote by Azzedine Alaia
If I don't have a model in front of me, I don't have an idea.
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I would never be so arrogant to think that someone should model their life after me. But the idea of possibility the idea that I get to live my dreams out in public, hopefully will show to other folks that it's possible. So I prefer the term 'possibility model' to 'role model.'
In front of the model I work with the same will to reproduce truth as if I were making a portrait. I do not correct nature, I incorporate myself into it; it directs me. I can only work with a model. The sight of human forms nourishes and comforts me.
At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you.
I'm a model, and I happen to model for curvy things, but at the end of the day, I'm still in front of a camera just like anyone else.
The idea of losing the three at Hayward Field and the idea of losing my specialty to someone who wasn't running his specialty. Mostly, the idea of losing in front of my people. They haven't forgotten about me.
As a model, I really stand for not being a model, if that makes sense. When I started, the whole idea of the model was very different; it was a bit stuck-up. Not stuck-up, but no one was trying to have fun, or not even have fun, but be willing to smile.
Every obstacle in his journey became a milestone, an occasion for further triumph. We have a model in front of us now, a model who blazes our trail and gives us strength.
I think people have a different image of me because, you know, they portray me with the idea that models are stupid and dumb; like, 'She can just be a model because she can just be a model - she's dumb and she can't do anything else.'
The basic problem is with the business model of journalism. That business model is premised on the idea that talk is cheap and reporting is expensive.
Once I realised that my job as a model was to emote in front of the camera, I thought, 'Well now, I just have to add words, and I can do films.' But also, my success as a model made me more confident about becoming an actress because, just in case I failed, I thought, 'Well, you know, if I failed as an actress, I can do another job.'
It's all performance and my acting background made me very comfortable in front of people, in front of cameras. It helped me think on my feet in front of a crowd.
I didn't have a role model. My role model was Michael Jordan. Bad role model for an Indian dude... I didn't have anyone who looked like me. And by the time I was old enough to have what could have been a role model, they were my peers. Aziz Ansari is my peer. Kal Penn is my peer.
People attach too much to the idea of being a model, that you can only be a certain way to have done it. You will always be dealing with it. You're an actor who used to be a model who never trained; there are not many directors queuing up.
If working remotely is such a great idea, why isn't everyone doing it? I think it's because we've been bred on the idea that work happens from 9 to 5, in offices and cubicles. It's no wonder that most who are employed inside that model haven't considered other options, or resist the idea that it could be any different. But it can.
I went to a technology conference in Germany, and there were these beautiful, model-like women standing there in front of the products. I asked a question, and she had no clue what the product was. She had to call someone from the back to explain it to me. To me, that's using a woman as an object. To me, that's totally wrong.
A model is a good model if first it interprets a wide range of observations in terms of a simple and elegant model, and second if the model makes definite predictions that can be tested, and possibly falsified, by observation.
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