A Quote by Azzedine Alaia
I have been offered the highest paid contracts in the world. I refused them all. It's not my thing. I don't want to cheat people. And there are certain people I am allergic to. I even intervene when I don't like a customer; I rush in and check all the names. If I don't like them, I don't take them.
Related Quotes
There are certain people I am allergic to. I even intervene when I don't like a customer; I rush in and check all the names. If I don't like them, I don't take them.
I have been offered the highest paid contracts in the world. I refused them all. It's not my thing. I don't want to cheat people.
When I travel with my kids abroad, I am not myself, but I'm more a father who wants to protect them. Sometimes, I am even aggressive about certain things and get surprised seeing myself like that: for instance, when people want to take pictures of them. I am fine if they want to take my pictures, but they are not public property.
When you are organizing a group of people, the first thing that we do is we talk about the history of what other people have been able to accomplish - people that look like them, workers like them, ordinary people, working people - and we give them the list: these are people like yourself; this is what they were able to do in their community.
I can't cheat on my performances. For me my films are like my babies. I nurture them and look after them like a mother. I can't play truant from shooting even for a day. When I agree to do a film I am with it all the way.
The center for me is my heart, actually, and my emotional connection with the work. That's where authenticity comes from. It's also the first thing that hits me about other people's work, or watching other people perform, "Do I believe the person?" Even if I don't like what someone is doing or if I don't like the sound, if I believe them, I do like them. I am able to appreciate them as an artist.
I stalk certain words... I catch them in mid-flight, as they buzz past, I trap them, clean them, peel them, I set myself in front of the dish, they have a crystalline texture to me, vibrant, ivory, vegetable, oily, like fruit, like algae, like agates, like olives... I stir them, I shake them, I drink them, I gulp them down, I mash them, I garnish them... I leave them in my poem like stalactites, like slivers of polished wood, like coals, like pickings from a shipwreck, gifts from the waves... Everything exists in the word.
When someone disagrees with me, I do not have to immediately start revising what I just said. People don't want me to always agree with them. They can sense this is phony. They can sense I am trying to control them: I am agreeing with them to make them like me. They feel; "I don't want to exist to like you. I DON'T exist to like you."
They want to be tied up, I tie them up. They want to be spanked, I spank them. They want to be called names, I call them names. But try and drink a little of their blood, and they scream like babies. What about my needs?
People like to examine the things that frighten them, to look at them and give them names, so saints look for god, and scientists look for evidence. They're both just trying to take away from the mystery, to take away from the fear.
Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
I myself don't like to speak to the actors at all. I like to hire great people and let them do their thing. I don't like to speak to them. I don't like to have lunch with them. I don't like to socialize with them. I don't like to hear their ideas.
The people who truly know me know what I'm like. There have been people who try to say things that aren't fair, and I check them. And then they don't like me because I checked them.
Hatemongers like Media Matters take innocent statements like mine, Rush Limbaugh's, John Gibson's, and Bill O'Reilly's and make them offensive by posting them on the Internet, allowing the general public to hear words that were meant for people who already agree with us. Hey, Media Matters, you want to end offensive speech? Then stop recording it for people who would be offended.
Actors are steeped in a world of agents and where the next job is coming from and what are their expenses and what is the hotel like. You want to take them out of that world and dump them into another world, so that when you meet them on the screen they don't seem like the guy who was in two others movies that year.
Our business has changed so much. Do people even want albums, or do they just buy singles now? You sort of feel like you're the last guy manufacturing VCRs... but I really like albums, and so I like doing them. I'll be the last one making them, even when no one's buying them.
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