A Quote by B. B. King
I bought my first electric guitar when I moved to Memphis; a Gibson with a DeArmond pickup which I used with a small Gibson amplifier.
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... by then I was getting a little work, doing some playing and getting paid for it, not very much, but enough for me to feel justified in buying a real instrument. I bought a Gretsch with a De-Armond pickup on it and a second-hand Gibson amplifier; it looked like the one Charlie Christian used. I guess it was the same, although there were several models coming out at that time - this would be in I939.
When I'm at home or in the studio, I have a 1963 Martin. It's a D-28, and I love that guitar. I write on that guitar, and it's the first guitar that I put a pickup in and ran through an amplifier, splitting the signal to the amplifier and a DI or in the studio mic'ing it traditionally and putting an amp in the other room.
I dreamed of having a Gibson. I had a cheap Kent - you know, a Japanese guitar - and then a Kanora, a Japanese guitar. I borrowed a friend's Harmony for years. To have a Gibson was really, really my dream as a kid.
I like the idea of having an old Gibson [guitar], but I don't have one. The Gibson has a different quality, but it's almost like you need both.
I wanted a Gibson type sound, but with a Strat vibrato ... I bought a body from Charvel for $50.00 and a neck for $80.00 - I slapped it together, put an old Gibson PAF in it and painted it up with the stripes
I'm so used to knowing what to do with an electric guitar and amplifier, but with an acoustic guitar, it's different, but I still have an amp and a whole bunch of pedals.
My first guitar was a Gibson Challenger.
I remember watching Mel Gibson on some show once, and he was being asked about his belief in the afterlife. Gibson said: 'Well, I can't believe this is all there is'. And I thought: 'Wait a minute. You're Mel Gibson. You have millions of dollars. You're a great-looking chap with every conceivable blessing that could be bestowed upon a man. And that's not good enough ?'
My wife bought me a vintage Gibson guitar that isn't just beautiful but has tremendous sentimental value. I have plenty of guitars for live gigs but this is one to treasure.
My first really good guitar was a Gibson J-45.
I grew up wanting a guitar, my family was very poor. When I was fourteen my mother bought me a Gibson ES 125 thin body. That was a bunch of money in those days - $125.00.
The first record I bought myself could have been 'Oh Lonesome Me' by Don Gibson or 'Wake Up Little Susie' by the Everly Brothers.
My guitar is a mutation between a classic Fender Stratocaster guitar, which I played for years, and a Gibson solid-body like an SG or a Les Paul. It contains all sounds of the basic classic rock n' roll guitars. It does what I want it to do.
Unnamed entertainment industry moguls are now telling the New York Times that they intend never to work with Mel Gibson again. After all, how dare Mel Gibson challenge the public by producing a film that spurs public discussion, that pushes the envelope, that takes an old story to a new level. How dare Mel Gibson follow his own passion as a filmmaker. How dare he make $20 million on the opening day box office!
During the 1970s and 1980s Gibson did use my likeness, but we never signed anything. This new Signature model is the first time we struck a formal written deal for a guitar with my name on it.
One of the first things electric I ever saw was a guitar. I was living in a house with no electricity until, at 7, we moved to a house that had it. It had electric lights, but the previous owners had even taken the light bulbs with them when they moved.
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