A Quote by B. B. King

I'm no good with chords. I'm horrible with chords. — © B. B. King
I'm no good with chords. I'm horrible with chords.
I'm not very good at playing piano, so I usually hit chords with my right hand. And those chords came, and I was just singing a little bit.
I've been used for writing rhythm guitar chords for a long time because it's so easy to play and chords just sound good on it.
The music has gotten thick. Guys give me tunes and they're full of chords. I can't play them...I think a movement in jazz is beginning away from the conventional string of chords, and a return to emphasis on melodic rather than harmonic variation. There will be fewer chords but infinite possibilities as to what to do with them.
I was 16 when I came to New York. I had graduated to a tenor banjo in the school jazz band, and it was kind of boring - just chords, chords, chords. Then my father took me to a mountain music and dance festival in Asheville, North Carolina, and there I saw relatively uneducated people playing great music by ear.
Even if chords are simple, they should rub. They should have dissonances in them. I've always used a lot of alternate bass lines, suspensions, widely spaced voicings. Dfferent textures to get very warm chords. Sometimes you're setting up strange chords by placing a chord in front of it that's going to set it off like a diamond in a gold band. It's not just finding interesting chords, it's how you sequence them, like stringing together pearls on a string. ... Interesting chords will compel interesting melodies. It's very hard to write a boring melody to an interesting chord sequence.
One chord is fine. Two chords are pushing it. Three chords and you're into jazz.
When I was 12 or 13, my dad taught me a couple of different chords, and once I learned chords, I never learned to read music, but I learned tablature, like a lot of kids do, and I learned songs that had the chords I knew. It took me a long time to understand the upstroke of picking and strumming, but once I did, it all fell into place.
I don't write poetry and then strum some chords and then fit the words on top of the chords.
I just started off on my own by learning the regular chords then the barre chords. Then I'd lean the notes that would go with them.
I don't think I think when I play. I have a photographic memory for chords, and when I'm playing, the right chords appear in my mind like photographs long before I get to them.
It's really weird to be playing chords again. Haven't played chords for a long time. I realised I haven't played chord changes since OK Computer and stuff like that.
I love R&B and hard-hitting, slappy, intense music with deep chords and moody chords. But I also have a thing for bubbly lullaby music. Kind of like ice-cream truck rap.
By adding open strings to even the simplest chords, you can create voicings that sound sophisticated, but are really easy (and fun) to play. They're practical, not intimidating, and most certainly don't sound like 'jazz chords.'
I liken movies to playing a piano: Sometimes you're playing the chords and different notes with unresolved cadences and playing all major chords that are all over the place, and you're enjoying yourself with a great, simple melody.
About ten years ago, I knew three chords on the guitar. Now, in 1982, I know three chords on the guitar.
Like a Star' has a very simple melody, and when you play it, it's only about three notes for ages, and it's quite boring. But when you hear the chords, the chords are sort of different than the melody, and it's pulling it around and making it mean something else.
This site uses cookies to ensure you get the best experience. More info...
Got it!