A Quote by B. B. King
I've said that playing the blues is like having to be black twice. Stevie Ray Vaughan missed on both counts, but I never noticed.
Related Quotes
I've always been a fan of Buddy Guy as a guitarist, as well as Stevie Ray Vaughan and those blues guys. I'd say those are pretty big influences on me.
My guitar setup is inspired by Stevie Ray Vaughan.
It's definitely true that Stevie Ray Vaughan is one of my all-time favorite guitarists.
Stevie Ray Vaughan was very intense. Maybe that's what caught everybody's attention. As a player, he didn't do anything amazing.
I used to watch MTV when they played music, and discovered Robert Cray, Stevie Ray Vaughan, Jeff Healey.
I was inspired to play electric guitar from listening to a lot of Carlos Santana, Stevie Ray Vaughan, and B.B. King, and that's always been the kind of music that I gravitate toward.
I used to sit for hours and copy every lick on those early AC/DC and Kiss records. From there, I went on to Eric Clapton and Stevie Ray Vaughan. After a while, you kind of develop your own style.
... When I heard "Pride and Joy" by Stevie Ray Vaughn on the radio, I just said "Hallelujah" .. he was just so good and strong and he would not be denied... he single handedly brought guitar and blues oriented music back to the marketplace
Ray Charles, who said to Stevie Wonder, Maybe we're white. Never got a dinner!
I think there are always people who, when they get the bug to play an instrument, they want to get as good as they can with it rather than just be simply adequate at it. You run into them every once in a while - some kid who wants to be the next Stevie Ray Vaughan, for whatever reason, and plays exactly like him.
It is a well-known mystery that guitar players suddenly get better once they are dead. Buddy Holly was the first. Stevie Ray Vaughan is known by a lot more people than had ever heard of him when he was alive.
I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.
I was reading an article with Stevie Ray Vaughan a long time ago, and the number '1959' stuck out to me for some reason. So I started searching those out as the band got more popular and I could actually afford one. And I found this one in Los Angeles. That's what introduced me to the whole world of 1959s.
I never thought I was playing black music. I was just playing music, the stuff I liked. I sang blues at parties and things when I was a kid.
I was backstage at the House of Blues in L.A where I was about to perform, and Stevie Wonder and Prince turned up at my dressing room together! Stevie started beat boxing and Prince started singing one of my songs, all of a sudden it was like I was in a cypher with these incredible artists.
My father was always playing this ethnic blues stuff around the house, and both my parents played. Then one day my father brought home Big Bill Broonzy, and there he was sitting in our living room playing, and blues was in my heart from the time I was 12 years old.
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