A Quote by B. J. Novak

'The Office' is less a comedy than so many other "comedies" that have been on the air. It's really about the balance between what is real and what is comic. — © B. J. Novak
'The Office' is less a comedy than so many other "comedies" that have been on the air. It's really about the balance between what is real and what is comic.
'The Office' is less a comedy than so many other 'comedies' that have been on the air. It's really about the balance between what is real and what is comic.
My acting has always been in the world of comedy, but in my writing, other than writing sketches, I really am drawn to the balance between comedy and drama. I like things that sort of toe that line of one minute you're in this emotional space and then all of the sudden something happens.
I think that there's a fine line between comedy and drama. I think that ultimately, the less winking that's going on when you're doing comedy - and this is just my own thing, and maybe it's why I've never been hired in comedy except by Bill Lawrence - but I think that the less winking you do with comedy, the better off you are.
I believe how you measure a good movie is how many times you can see it. With comedies, I like to be a producer, because comedies can get corny and go off track real fast. I'm always the 'less is more' guy when it comes to a scene. So I'ma be the one who will keep it grounded.
In the comedies I've been lucky enough to be a part of a world like Judd Apatow's, where I believe comedy comes from real people.
I'd love to do a really juicy drama that's just really real. On the comedy side, I'd love to do something like '21 Jump Street.' I cannot stop watching that movie. Really funny, really extreme comedies are definitely my favorite.
I actually love Scorsese comedies. He's an underrated comedy director. I think his comedies are some of the best comedies ever made.
You probably can't name more than a handful of comedies that would qualify for Best Picture. I can think of a lot of comedy screenplays; Woody Allen has had numerous nominations for his screenplays. But most comedies are calculated. They tend to pander. They're not about anything important.
Comic book fans have loved Wolverine, and all the 'X-Men' characters, for more than the action. I think that's what set it apart from many of the other comic books. In the case of Wolverine, when he appeared, he was a revolution really. He was the first anti-hero.
What I love about 'Breaking Bad' is the reflection of many people's - it's more real in terms of people have faults, people have character traits that they don't like about themselves. It resembles more of what the human journey really is and it's less fantastic and hero-driven than other characters and shows that we watch.
I thought Rounders was a comic movie in its way. First time I directed a movie, I wanted to do a comedy. I don't like things that are superficially one thing or another, mainly. My favorite comedies are really smart, too, and have a lot of levels to them as well.
We have had no good comic operas of late, because the real world has been more comic than any possible opera.
...recognize and respect Earth's beautiful systems of balance, between the presence of animals on land, the fish in the sea, birds in the air, mankind, water, air, and land. Most importantly there must always be awareness of the actions by people that can disturb this precious balance.
I was thinking about comedy and how comedy in many ways opens us up to ideas and really being influenced by Richard Pryor and sort of the way he would use comedy to really speak about larger social issues.
There's a very interesting article or symposium to be written on just the real difference between comedy filmmaking and non-comedy. Because, you know, when you work in comedy, you depend on audience screenings to tell you about your movie.
Growing up as a comedian the most influential person on me was Jon Stewart. He showed that comedy could have a real tangible effect on the world. He showed that comedy could move the needle of society and that a comic can do real things and make a real contribution.
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