A Quote by B. J. Penn
I don't want to be the guy who said 'I could have did this, and I could have did that.' I want to be the guy to know if I could have or I couldn't do it.
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I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.
I don't know how many more movies I'm going to get the opportunity to make and I don't want to look back and go: "Man, I just floated through that one." Or: "I did that one for the money." I want to be able to say that I worked as a hard as I could and I did the best work that I could do.
I did the first Parker novel, in which he got caught, and the editor at Pocket Books took me to lunch and said, 'Is there any way that this guy could get away at the end, and you could do three books a year for us?' And I said, 'I think so.'
What a laugh, though. To think that one human being could ever really know another. You could get used to each other, get so habituated that you could speak their words right along with them, but you never know why other people said what they said or did what they did, because they never even know themselves. Nobody understands anybody.
Her face felt like it was scattered in pieces and she could not keep it straight. The feeling was a whole lot worse than being hungry for any dinner, yet it was like that. I want--I want--I want--was all that she could think about--but just what this real want was she did no know.
I always said that if I could just find a guy who could chop wood and had a nice smile, it wouldn't bother me if he was a thug or an aristocrat, as long as he was a good guy. And I've ended up with an educated thug.
I did not want people to know that I was a Muslim; I did not want people to know my name or that I did not have an American name. I did not want that. Because I knew if they knew that, they would cast me as the bad guy.
Same thing for the bad guy. People were really after this guy Radovan Karadicz. But I came up with a combination of several people, who then became The Fox. That's who Simon Hunt and Duck are after. I did that so I could have freedom with what The Fox said and did, so that I didn't have to be stuck. Certain things I wanted to stay to the truth. Certain things I changed, and certain things are the facts.
I did not know how to paint a mural. I did not know how to prepare the surface. There was nobody from the Renaissance around who could advise me, and I did the best I could.
I remember when I did the pilot, and I though no network is going to want to do this. How could that happen? A half Chinese guy walking the old west that doesn't fire one gun and never gets on a horse?
Growing up, we never got to see a hero who didn't have superpowers who looked like us, that you could kind of look to and say, 'I could be that guy one day. I could be a patriot. I could be a soldier. I could work in the government and be a hero.'
We want the right people, the ones who love to play football. I want a guy who, if I punch him in the mouth, doesn't stand there and say, ?Why did you punch me?' I want the guy who punches me back first, and then asks me why I did it.
What goes through one's head when Disney asked for 52 more shows? I remember seeing that in the supplemental features...When they first said "52" I literally laughed, I thought they were kidding. They said, "Well, how many do you think could do?" And I said, "Well, we've got 6 scripts in the works, so 6 obviously we could do. We did 13 last year, I think we could do 13 this year without a problem." I said, "If we really pushed it, I think we could do 18." And they said, "What about 52?" I started laughing but they were serious and eventually they did get the 52 episode order.
I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.
I trained as hard as I could, I ran as much as I could, I sparred hard, I did everything right. I did everything I could possibly do at the age when I could fight. You have to be realistic; you can't say, 'Oh, I am smarter now, older and I can punch harder.' You think you can, but you can't.
I think Ric Flair has been tarnishing his legacy since 1990 - he has done more to tarnish his career then anything I could have said or did, then anybody could have said or did.
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