A Quote by B. J. Porter

With a sketch show, it's "a bunch of people and they're being funny." In a way that you can't really explain it. — © B. J. Porter
With a sketch show, it's "a bunch of people and they're being funny." In a way that you can't really explain it.
A good sketch show, in my opinion, gets together a bunch of fun, funny people and collects their brainfarts, and shares them.
To go from working with a group of people in a sketch-comedy show on a small network, where it was all about just creating funny stuff, to being on a network show, and the pressures of that, and getting to know the new people who were involved in it. There was a learning curve for me. But it was an education.
In the end, the thing that really stays with you is not that you were clever enough to connect a sketch to another sketch, but what really sticks with you is when you just have an incredible moment happen, or execute a really funny idea.
Every movie I do, or when I'm on the sketch comedy show, I don't really get into it until I have an outfit or something funny with my head or face or something.
I would call it a comedy variety show. We have some people just doing straight standup. We usually try to have one musical act of sort. So its just people being funny in different ways, not just sketch, not just standup, not just characters, all of those things.
I think that if you just kind of try to throw together a sketch show, but you don't have any real vision for what you want to do with the sketch, I don't think your chances are very good. You know, "Let's just have a sketch show!" You have to do something different with it; you have to reinvent that form every so often.
I met a bunch of people and they said, "We're gonna do a show [Second City]." So we would buy the theater out and do a show, and we did that for five years and we ended up becoming popular. It was before sketch comedy was hipster-time - when you would hand out a flier, people would roll their eyes. Now it's kind of cool.
It's really easy to be funny. You get a lot of funny people in a room, the show is funny.
It would be amazing if we got someone like Sarah Silverman on the show, not having a script and just being herself. That's the best part of doing this show: just having funny people being funny.
You asked what is the secret of a really good sketch. And it is a sketch is a small play. It's got a beginning, and a middle and an end. It should have a plot; it should have the characters, conflict. It is a little play. And in it, will be funny stuff.
It's a very hard thing to explain when we sit with writers on our shows. But then if they show us a sketch, instinctively we'd know who we'd play.
And that's the thing about our show: what are they going to do put on the poster? I don't know. It's always easier when you have someone like Cedric the Entertainer where you can go, "You know this guy. You love this guy. Watch his sketch show." And then people tune in and go, "I though I knew that guy. I don't love that guy in a sketch show."
There's a tendency to still show women as being one way or the other - you're either soft and shy or you're really ballsy and funny, but I think that we're everything.
I went from an unemployed actor's life to doing stand-up comedy, and that was fortuitous. It's not the usual way the crow flies, going from being in a TV sketch show to playing one of Shakespeare's finest characters, but, hey, that's the way it has happened.
'Entourage' was a show that existed around wish-fulfillment. People watched it because they wanted to believe they could go on private jets and be hanging out in Hollywood, but as a show, comedically, it was not funny. Not a funny show. It's funny, ironically, because of how terrible it is.
I wanted to explain that just because I'm rapping in this funny way doesn't mean that I'm not worthy of actually being evaluated as a rapper.
This site uses cookies to ensure you get the best experience. More info...
Got it!