A Quote by Babe Didrikson Zaharias

I came out to beat everybody in sight, and that's just what I'm going to do. — © Babe Didrikson Zaharias
I came out to beat everybody in sight, and that's just what I'm going to do.
You remember my ideal cat has always a huge rat in its mouth, just going out of sight - though going out of sight in itself has a peculiar pleasure.
When do you realize when you're a kid that you're going to be great and everybody else doesn't understand that? I don't know. I just felt I could beat everybody.
When I came out of service, the first couple of releases didn't really hit so I just took a little hiatus and sat down to see what was happening. I just glued my ears to the radio and then I started writing - the first hit record that came out was 'Everybody Loves a Winner.'
When I came out of service, the first couple of releases didn't really hit so I just took a little hiatus and sat down to see what was happening. I just glued my ears to the radio and then I started writing - the first hit record that came out was "Everybody Loves a Winner.
I bring up 'The Heist,' and you can almost cut that record down the middle between songs where the beat came first and the words came second, and songs where the words came first and the beat came second. It can start with a vibe, a beat that drives a story, or it can start with a story and then trying to identify the tone to tell that story right.
First the movie, the actual playing of the role and trying to deliver what everybody wanted. Then, when the film came out, there was instant fame. I was just a kid from Sweden, I didn't know what was going on.
The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.
Television itself is an intimate medium. It's in your house. You're visiting with these people... Not everybody's going to like it, just like not everybody likes everybody on the playground. I mean, that's life - especially if your job is to just go out there and be yourself.
A dunk during the game is just to get everybody pumped up, so everybody can feel like we're going to win this game or we're going to blow this team out or whatnot.
Everybody is talking and everybody is trying to block things out, but eventually you just yell, "Action!," everybody starts moving, the camera starts going, and you get a take.
I'm not going to beat the cancer. I tried really hard... but sometimes you're just not going to beat the thing... I wanted to walk off the stage and say anything I thought was important; I had my hour.
I know that I can beat everybody, and this is what also gives me a lot of confidence and motivation for going out there and playing with a lot of emotion.
Everybody that you could name would join in our audiences from, Laguardia on down. Everybody came. Everybody came to the Cotton Club.
I remember reading [ Studs Terkel's] "Working" when it first came out and just finding that very powerful. I was going into community organizing. What stuck was to reveal the sacredness of ordinary people's lives. That everybody has a story. And I think Studs is terrific at drawing out that shimmering quality of people's everyday struggles.
I came to the conclusion that in comedy, everybody gets what they need, whereas in horror, everybody gets what they deserve. I decided that at the end of the day, I was going to give everybody what they needed.
I admired the tournament system because it brings some reality to the game. You had to beat everybody to get your title shot. It wasn't something random, you got there because you beat everybody else.
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