A Quote by Babe Ruth

What do I think about when I strike out? I think about hitting home runs. — © Babe Ruth
What do I think about when I strike out? I think about hitting home runs.
I don't think I'm a home run hitter. Most of my home runs are line drives. If I hit it, thanks God. But it's not the kind of thing that I think about. I just go out there and try to have a better season than I had before. Home runs are not in my mind.
The thing about hitting kids is, think about if you were doing the same thing to another adult. Hitting your kid is really the same as hitting your employee or wife, and the issue become pretty clear when you think about it that way.
As a first baseman, hitting home runs is what's expected of me. But I don't really try to hit home runs.
But this is the point I want to make: When you talk about steroids and you talk about what it means to the game, the three greatest home run hitters of all time-Hank Aaron, Babe Ruth and Willie Mays, right? When they were 39 years old, how many home runs do you think they averaged? The three greatest home run hitters of all time averaged 18 home runs at age 39. Now, how many home runs did Barry Bonds hit when he was 39? He hit 73!
This year I'd rather lead the league in home runs, runs batted in and hitting.
I'm always amazed when a pitcher becomes angry at a hitter for hitting a home run off him. When I strike out, I don't get angry at the pitcher, I get angry at myself. I would think that if a pitcher threw up a home run ball, he should be angry at himself.
I don't really set personal goals for home runs or anything like that. However many I hit, I hit. If I'm making consistent contact and hitting the ball hard, then I will hit home runs.
I firmly believe that every six years, a person goes through a serious change. Think about it: At 6, you start school. At about 12, you start hitting puberty. And then it goes on. You start hitting these different mental levels, and people change. I think that's part of the reason the divorce rate is so high.
Chicks who dig home runs aren't the ones who appeal to me. I think there's sexiness in infield hits because they require technique. I'd rather impress the chicks with my technique than with my brute strength. Then, every now and then, just to show I can do that, too, I might flirt a little by hitting one out.
There's so much attached to playing shortstop that you lose your concentration on hitting, unless you're a natural hitter. There's so much to think about in the field, you don't have time to think about what you did at the plate last time. 'How did he get me out?'
In 1961 somebody could've hit a home run to win the game and the next day the headline was about the M&M boys not hitting a home run. But everyone was real good about it. Instead of getting mad they joked about it.
There is something about hitting 40, the half- way mark that is heady and liberating, it runs away with you and you reach your 50s out of breath and wondering, 'Where was I going with that?'
I heard Tony Bennett say that when you're a big deal early on, you have to maintain that level forever, and it's very scary. You have to keep hitting those home runs, turning out hits.
I think you start hitting home runs, and you start getting caught up in seeing how far you can hit them. They're fun, but you really only have to hit them a foot over the fence. They all count the same.
People think this is all about the top players hitting tenins balls and they talk about technique and strategy and how important that is. But they don't understand the essence of competition. This is one-on-one, two players out there fighting each other with everything they have, trying to bring the best out of themselves. And the difference at this level of the game is all in the head and in the heart.
I think the underlying purpose is expression. It's not about technique, it's not about hitting the right note, writing the perfect prose, having the perfect brushstroke. It's about expression of oneself, the things around you, and the emotions. I think expression is the one word that I would use, whether it's for sorrow, tragedy, joy, or even the need to express and be heard.
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