A Quote by Babu Antony

I don't take films to prove my talent and receive critical acclaim or awards. — © Babu Antony
I don't take films to prove my talent and receive critical acclaim or awards.
Not all are starting from the same line; however, the finishing line is certainly the same. We all have to show how much money our films make or how many awards we win or what critical acclaim and commercial success our films have.
I get commercial acclaim because of critical acclaim and it is a chain reaction.
It doesn't matter who you are, how many awards you've won, how popular you are, or how much critical acclaim you've had.
No matter how you total success in the coaching profession it all comes down to a single factor - talent. There may be a hundred great coaches of whom you have never heard in basketball, football, or any sport who will probably never receive the acclaim they deserve simply because they have not been blessed with the talent. Although not every coach can win consistently with talent, no coach can win without it.
Everyone wants to be liked, so of course you want critical acclaim. After that, box office acclaim isn't bad. More than anything I think you have to try and make something you're proud of.
We want box office success, critical acclaim, awards and everything else. But I think when the audience likes a film, that appreciation is far more fulfilling, far more satisfying than any award.
'Lost Vikings' and 'Rock 'n' Roll Racing' were pretty critical games to us. We got some acclaim as a result, some video gaming awards. Those are the games that impressed Davidson and Associates and led to the merger talks.
Who's to say what will one day appear to have been trendsetting? Sometimes artists who receive breathless acclaim initially, seem to conk out. Other artists who don't register so keenly at the time, prove to be trailblazers.
It is kind of nice for when people appreciate what you have done, but I would not base my career on awards because they are mostly popular awards and not talent-oriented awards.
You look at Japan and Hayao Miyazaki's films are the biggest films ever made in Japan; domestically there and they play to critical acclaim around the world. He won't put more then 5 or 10 percent computer imagery in his movies. It's disappointing to me. It's a silly choice that some studios made to move out of animation. It's part of the unfortuneate preconception that I think the public has going into see animation.
I say have the night and give people the awards, but why do people want to watch people win awards? What are they getting out of it? I don't quite get it. Because they have awards all the time; there's awards for butchers, the best meat served, but they don't televise it. I don't know why they do it for films or TV programs.
Fatherhood, to me, isn't something you do for awards or acclaim. It's a privilege and a huge responsibility
I can tell you there are rewards that go far beyond money and public acclaim and awards.
We took 'BFF' around to try and take it somewhere else because we were really proud of it, and it had gotten all that critical acclaim, and Twitter fans were going crazy about it.
The great actresses and actors receive awards for great roles in great films.
I am not going to become a critical-acclaim-junkie at all.
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