A Quote by Bad Bunny

A good song never gets old. — © Bad Bunny
A good song never gets old.
If it was never new and it never gets old, then it's a folk song
If I like a song, I'll just keep playing it, and it never gets old.
For the rest of my life, the one song that people will remember -- regardless -- is "Conga" . . . I never get tired of singing it. It never gets old for me.
Anytime an artist puts your name in a song, it's unbelievable. It never gets old.
After a while, no matter how much you love any pop song, you're going to get tired of it. That's the way it is with any entertainment. It's good when you first hear it or see it, you like it for a while, then it gets old. It gets chewed up and spit out and it's done.
The fun part, I will admit this much, there is a period when listening to my music is fun, and that's when I'm making it. There's a tiny little window before something gets old, but after it's come to fruition. There's a little window there where I can listen to a song probably about five times, and I'll really think it's awesome. That's kind of the period that lets me know when I - 99 percent of the time, that period is right about whether a song is going to be a keeper for an album or just a throwaway track that never gets - in that little window.
'Check Yes Or No' is a song that I reference in ''90s Country.' George Strait had a very crafty lyric: it tells a story then comes back around. Never gets old.
Views are overrated; it's light that counts. I have an apartment in Miami's South Beach, and I get tired of looking at the ocean. Even that view gets old after a while. Sunlight streaming into a room - it never gets old.
I always like Madonna; any Madonna song is good for me. Old school Janet Jackson is always good. I usually go old school. It's very rare that I pick a song from nowadays.
Sometimes what makes a great song is that bittersweet combination - a really heartfelt song, whether good or bad, mixed with something that gets you going.
If I find something I like, I'll chase it and see what comes out the other side. Once a song gets momentum and gets away from you, that's a good sign.
The Land of Faery, Where nobody gets old and godly and grave, Where nobody gets old and crafty and wise, Where nobody gets old and bitter of tongue.
It never gets old. Working with somebody like Kevin Hart is rejuvenating in a lot of ways. He's such a pro. He's so good.
But I knew - in the old days, if a song was a good song, I don't care if it was 'Yellow Submarine' or, you know, or 'The Times They Are a-Changin' or 'Don't Be Cruel', you knew it, you know? You heard that song, and you were talking about it, and you knew it.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
I love the song 'El Rey.' And for years, I never knew what the song was totally about. It was something new for me. I'd never sung a song in Spanish before. Then I got the translation and saw what a really cool song it was.
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