A Quote by Bad Bunny

The first rap CD that I had, it was so different for me. The energy, the wordplay, all that caught my attention, and I liked it. — © Bad Bunny
The first rap CD that I had, it was so different for me. The energy, the wordplay, all that caught my attention, and I liked it.
My first CD that I had was the Ying Yang Twinz, and my grandma bought it for me. Honestly, I think my grandma got it from a thrift store or something. She just got it for me. It was in downtown Philadelphia. And I would listen to it. I liked it. None of my friends did, though, but I liked it.
Skateboarding was my introduction to rap and the first rap song that I really liked was KRS-One 'Step Into A World.'
I was a weirdo. I think I wanted to be liked, but I didn't have the attention or bother to actually make an effort to be. I also think I had a different perception of what I needed to do to be liked.
When I first came in the game, I had a bunch of homies that rapped that was hanging around me just because I was getting the rap attention, and they felt they could feed off of that.
I had phases of listening to rap and trap, and then I had phases where I'd listen to post-hardcore, rap, grunge, metal... all that. I had different time periods of listening to different music. And now it all clashes together.
The thought of attention made me want to hide in a closet. I wasn't a kid who liked attention. I liked solitude and I still kind of do.
Having had been not so well traveled as a kid, as most teenagers aren't, I always thought, "Okay I'm going to focus my energy on rap and the rap game, because that's how I'm going to be able to pay rent and pay off my school loans." But seeing the reaction with this whole gay rap situation has made me not want to play into it at all anymore and just make whatever.
I got into music when I was a little boy. My dad was always into jazz. I got my education from him. The first time I listened to jazz, he gave me a Thelonious Monk record. It was so different from anything I had ever heard. It took me a while to understand it, and I liked that. I liked the fact that it wasn't immediately palatable.
You gotta do a lot more than rap. Rap is not just rap. If you don't have an image, you're not capturing nobody's attention.
When I first started making music, I was all about wordplay and how fast I could rap, but over the years, I've really gained an appreciation for melody. What's cool is that when you're singing, you have to be concise, and when you're rapping, you have the opportunity to be really detailed with your lyrics.
I really liked to perform. My mother always tells this story: I was five. They had a party, and they'd put me to bed. I heard everyone on the rooftop, and I went upstairs. No one paid any attention to me, so I took a hose and sprayed everyone. Very elegant, right? 'It's me! Look at me!' I loved the attention.
I was, like, 12 or 13; the first hip hop song I tried to rapping to was Macklemore's 'Thrift Shop,' and my English was so bad, but learning to rap to different songs really helped me with my pronunciation, and looking at the lyrics on Rap Genius and stuff like that.
I am a big fan of A.R. Rahman and Mani Sharma, and I went to a shop to buy these music directors' CD. But I had only Rs 100, and Rahman's CD cost more, so I couldn't buy both. So I bought Rahman's CD and stole Mani Sharma's CD.
I liked Big L's wordplay with the multi-syllable rhymes he hit so clean.
All I had was a CD with beats. I wrote to every beat on that CD, and when I got off punishment, I put out my first mixtape. I passed it out all around school. I started going to the studio. I started doing shows.
Rap has so many possibilities that need to be explored. There are different factions of rap, but some are in a rut. Rap doesn't have to be about boosting egos and grabbing your crotch and dissing women. There's a way to make political and social issues interesting and entertaining to the young rap audience.
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