A Quote by Bae Doona

Korean cinema is very improvisational, and there is a unique power that stems from this. — © Bae Doona
Korean cinema is very improvisational, and there is a unique power that stems from this.
The Indian audience is getting exposed to world cinema and realising the power of unique plots and distinct characters.
I was on an army show, and in the army - especially in Korean culture - there's a very, very strict hierarchy. Obviously, you would not talk informally or disrespectfully to your commanding officer. But me, in my limited Korean, I basically told my commanding officer, 'Thou shalt forget!' The Korean public thought it was really funny.
My mom named me Pom because she said it sounded like a combination of Korean words that mean 'spring' and 'tiger.' So, it's very unique!
That is one of the coolest things about WWE and wrestling in general. The fans have this very unique voice and this very unique power, and in no other sport and no other form of entertainment can the fans make their voices heard and it effect change.
French cinema has always been very interesting, and it's still very powerful. I think it goes to show that it's great to still have a cinema that doesn't try to emulate, for example, American cinema.
I have a very simple mantra and it's this: I want to make black cinema with the power, beauty, and alienation of black music. That's my big goal. The larger preoccupation is how do we force cinema to respond to the existential, political, and spiritual dimensions of who we are as a people.
I love Korean rice and Korean food in general. Korean barbecues are cool - there's a table with a hole in it with fire coming through, and we throw meat on it.
If you're in the rural South, you don't get Korean TV, unless you can find a Korean grocery guy who has been taping Korean programs and then offering them.
I think every business, really, has a unique reason for being, unique assets, unique attributes, a unique history. And that can be turned into a very attractive design story, essentially, that consumers can relate to.
I have a reputation for being an improvisational actor, which is true, but I also know what I'm doing so that if the improvisational strand doesn't work I can go back to what I know's already there.
PK' is a very unique story. There are no benchmarks in Hindi cinema to give you an idea about 'PK.'
So South Korean ability is very much limited to handle North Korean, you know, difficulties. So we don't want to see an immediate collapse of the North Korea regime.
The anti-Japanese resistance was as familiar a theme in North Korean cinema as cowboys and Indians was in early Hollywood.
Korean, yes, I am now fluent in Korean. I was not always. When I got to Korea, I was constantly put on TV shows not knowing what was going on. So that forced me to learn Korean so I could stop looking like an idiot.
Well, you cannot think of cinema now, and you cannot think of cinema in the UK and not place Chaplin in the most extraordinary elevated context, if there can be such a thing, in that he was a genius, he was unique.
I feel very sorry for the one or two North Korean defectors who were caught by Chinese police while entering South Korean or foreign embassies in Beijing, but their arrest drew the whole attention of the world.
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