A Quote by Bahman Ghobadi

I didn't have the welfare. I didn't have the proper education. I didn't have these things. That's why it's almost like a complex in me that I want to explode myself in my films. — © Bahman Ghobadi
I didn't have the welfare. I didn't have the proper education. I didn't have these things. That's why it's almost like a complex in me that I want to explode myself in my films.
I've made a way to allow myself to do big films, small films, dramas, comedies, action films, horror films, or whatever interests me, as a movie-goer. I like watching myself in movies. I want to choose movies that allow me to enjoy myself, the way that I want to entertain myself.
The proper education of a man decides his welfare, but the interests of a whole family are secured by the correct education of a woman.
What I want to do is make films that astonish people, that astound people, and I hope you want to do that too. It's easy to make money. It's easy to make films like everybody else. But to make films that explode like grenades in people's heads and leave shrapnel for the rest of their lives is a very important thing. That's what the great filmmakers did for me. I've got images from Fellini, from Bergman, from Kurowsawa, from Bunuel, all stuck in my brain.
My mother only had a third grade education, was illiterate, worked as a domestic 2 to 3 jobs at a time, because she didn't want to be on welfare, because she never saw people who went on welfare come off of welfare, and she just didn't want to have her life controlled in that fashion.
I'm interested in seeing films that confront me with new things, with films that make me question myself, with films that help me to reflect on subjects that I hadn't thought about before, films that help me progress and advance.
I don't believe in planning for things. I just want them to fall in place, unfold as they like. I never design things. I want films to choose me; I don't choose films.
I like to play fast. I get excited, and I have to sort of control myself, restrain myself. But when the rhythm section gets cooking, I want to explode.
Even today, I'm not sure why I make films or what makes me want films. I think it's other people's films. Whenever I see a really great film, I think, 'I want to make a film like that.' And then I never do.
I found myself losing interest in almost everything, I didn't want to do any of the things I had previously wanted to do and I didn't know why. Everything there was to do seemed like too much work. The opposite of depression is not happiness, but vitality, and it was vitality that seemed to seep away from me in that moment.
General welfare is a general condition - maybe sound currency is general welfare, maybe markets, maybe judicial system, maybe a national defense, but this is specific welfare. This justifies the whole welfare state - the military industrial complex, the welfare to foreigners, the welfare state that imprisons our people and impoverishes our people and gives us our recession.
Now, the topic of religion seems much more complex, and I have a more complex relationship with it myself because I love religious music. I often find myself wanting to be in a religious state of mind even though I don't intellectually believe it. I want to go to that place emotionally. So it doesn't feel like something that I really want to debunk in that way. It's just not where my interests lie at the moment.
There is still so much that I want to see and do, but for me, it's the pure satisfaction of doing what you really want. I always had a problem doing things that I didn't want to do. I don't have a problem when my director says: "Don't do it like this; I want it like this." But generally in life, I like to do what I want, and for me the best way is through acting and making films.
I do not want to make teaching films. If I did, I would create a separate organization. It is not higher education that interests me so much as general mass education.
I don't put any pressure on myself in terms of what people or fans do or don't want. It really just doesn't occur to me. I honestly just want to make the films I want to see as a fan. The film will survive or fail in my mind by how much I like it. Having said that, everyone wants their films to do well and to be well-received.
It's almost embarrassing how well-behaved I was, which is probably why I do things like spit water on myself onstage as an adult.
Education has been critical. First at Kansas and then at Harvard Business School. It helped me build the confidence that I could go out and do things in the world. It taught me to put myself in the shoes of a decision maker and figure out what I would do if I were in his/her shoes. This is why I am a big believer in education as a foundation for reaching your unique potential.
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