A Quote by Bai Ling

Somehow I feel a little bit odd in Tiananmen Square because I was a soldier, in a uniform, watching those leaders and tanks, and I was part of them. — © Bai Ling
Somehow I feel a little bit odd in Tiananmen Square because I was a soldier, in a uniform, watching those leaders and tanks, and I was part of them.
The virtual world is a 'public square' much more vast than Tiananmen Square. And you can't send in the tanks to crush the netizens.
The Chinese leadership hoped that the world would soon forget the Tiananmen Square massacre. Our job in Congress is to ensure that we never forget those who lost their lives in Tiananmen Square that day or the pro-democracy cause for which they fought.
[They let] friendship with the leaders in China obscure our devotion to freedom and democracy when those kids set up in Tiananmen Square, and I think it was wrong.
Tiananmen Square is a sensitive topic because many things happened there. The idea of turning the plaza into a forest makes many people feel uncomfortable.
I feel comfortable in the presence of oddity. Probably because I'm a little bit odd.
Watching films I'm in is always a bit odd, especially when I'm watching them for the first time with other people. It's hard not to see my faults.
I've been with police on patrol. When you have a gun, you just feel different. There's a protective level and you feel all those feelings. You feel a little bit macho and a little bit frightened.
It's a little strange when part of your family is in the public eye, and you're being put into a box that you're not necessarily in. That's when it starts to feel a bit odd: When you're being told who you are, but it's incorrect.
You get those couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage.
The great seats of power tend to be wide and open, not vertical and soaring. Red Square, Tiananmen Square, the Brandenburg Gate in Berlin - all massive but with large open spaces that project an image of might.
It's those moments, those odd moments that you look for and sometimes by creating this kind of loose atmosphere you find those little moments that somehow mean a lot to an audience when they really register right.
I never had a problem with genre because a genre actually is like a uniform - you put yourself into a certain uniform. But if you dress up in a police officer's uniform, it doesn't mean that you are an officer; it can mean something else. But this is the starting point, and the best way is to not to fit into this uniform but to make this uniform a part of yourself.
It's hard for me to play seated theaters because people tend to sit down and get a little bit complacent, so it's less energy. It's just very dry and dead. People start to feel like they're watching a movie. The environment when they walk into it, it's not standing room only, smoking and drinking and rock 'n' roll. So it's a little bit dangerous to do that.
When I joined Custer I donned the uniform of a soldier. It was a bit awkward at first but I soon got to be perfectly at home in men's clothes.
I want to do movies that I'm proud of where my kids, at some point, can see and I can feel comfortable sitting there watching it with them. And just that move people. That make people feel a little bit better about themselves when they leave the theatre.
The same thing will happen in China that happened in Chile. Political freedom will ultimately break out of its shackles. Tiananmen Square was only the first episode. It is headed for a series of Tiananmen Squares. It cannot continue to develop privately and at the same time maintain its authoritarian character politically. It is headed for a clash. Sooner or later, one or the other will give.
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