A Quote by Bailee Madison
I was trying to get into the business from a young age, but I don't think I really realized how much I loved it until I booked my first movie and found myself in New Zealand for six months filming Bridge to Terabithia.
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I was one of the lucky people who found what I loved at a really young age. When I was 16, I got my first job in a Portuguese soap opera, and I realized how much I really loved it.
From an early age, I was trying to get laughs, but it wasn't a conscious thing. I think I was about six months old when I first realized I needed friends in life and making people laugh worked for me. By nine months, I came out of my shell.
I did 'Bridge to Terabithia' when I was around 6 years old, but for my first movie, I was 5.
I'd only been out for, like, six months before I booked 'Insurgent'. It was my first role in America, and it was a huge movie franchise. All I'd ever hear at the time was how Hollywood treated gay men or queer men, so I was, like, 'Well, I'm not going to shoot myself in the foot before I've even started life here,' you know?
Yeah, I was only in New York from the age of six months until five years old. But my very first memories are all of New York. I remember my first rainbow on a beach in New York. I remember jumping on a bed in New York.
I've tried to divide my time between the US and New Zealand, but it's difficult, and I suddenly realized that I like acting here in Los Angeles anyway. Because when you first come here; especially from New Zealand, you go, This is the ugliest, nastiest, grayest, smoggiest town in the world, and then your scale of beauty adjusts and suddenly you think, Oh, isn't it beautiful, not too much smog today!
My father is an actor, so he brought me into his agency when I was young. It wasn't something I wanted to do until high school, when I started taking theater and really liked it. Then an agent found me and wanted me to come out to Los Angeles and give it a shot. I gave myself six months, but it only took me like a week to get a job.
It's hard to pick. I mean, I think the one that is most emblematic of the collaboration that occurred is "We Know The Way." That's the first song we wrote for the movie [Moana]. We actually got it written that weekend in New Zealand, so we're all in New Zealand, we're all absorbing this culture, and Opetaia [Foa'i] brought it in.
I always wanted to be a comedian. I loved comedy since I was a little kid, and while I was at university I started doing stand up shows. Once I realized that I was good at it I quit college and left although I had six months left. I went to England. I could have done the last six months but I realized that I was better at standup comedy than I was at singing opera.
I was very, very young when I first started acting. My first movie role I was in, I was eight years old at the time. My mom got me involved in community theater stuff when I was like five or six years old. How I learned to read was by reading the captions on TV, and I grew up from a really young age watching tons of movies and television.
Even from a really young age I was a huge movie buff - five, six, seven, eight. Just loved movies, but in a more in-depth way than most kids that loved movies at that time. I'd find a filmmaker or something and want to see all his movies.
When I lived in New York City, I loved it so much. But every six months, I had to go home to Texas to remember who I was. Get filled back up.
When I made the decision to go to Europe, a lot of people questioned it. The first six months I was there even I was questioning it, but I think I learned a lot more about myself in that six months than I have my whole life.
We've had a debate about immigration in New Zealand for some time. Now what we're trying to champion in that conversation is a recognition that New Zealand has been built off immigration. I myself am a third-generation New Zealander.
When you work on a movie, you just have no idea how it's going to come out; you hope it's good, but you don't really know, and you don't see it until about six or nine months afterward, and I saw it and was pretty pleased.
It might sound crazy, but filming in a conflict zone, in Afghanistan, and being a female filmmaker was the easy part. I found people open and understanding of the importance and beauty of filmic storytelling. I never had to explain why Jake Bryant, my Director of Photography, and I were climbing up a ladder to get a high shot, or running ahead to get an arrival shot, or filming weeks after weeks, months after months, collecting so much material. The process was respected and honored.
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