A Quote by Balachandra Menon
I never plan my speech. Very often the audience triggers me into the mood.
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To me, a performance is a military operation; it requires so much planning, and then ripping up the plan the minute you get there because you have no idea what the audience is feeling. I'm very much an entertainer, and sensitive to the audience's perception of me. I often have to do unexpected things, even for myself.
I've never been very comfortable as an actor looking out into the audience; I always like to keep my focus on the other person. When you start playing out to the audience, it takes me out of it, because people don't do that when you're in life behaving with another person - you don't often look out, around you, in a presentational manner.
What triggers a poem for me is not the same as what triggers an essay. My mind is geared now to looking for, or to watching out for, the image that attracts my attention or the phrase or the strange juxtaposition that strikes me bodily, or an odd question or supposition.
The President [Barack Obama] is very focused on [healthcare]. He, of course, is also writing this speech at high speed. And right coming up until the speech, he is convinced that a full plan, letter and verse of what the administration wants, will be released.
Donald Trump in Philadelphia, and he's delivering a very substantive speech on military preparedness, the status of the current military. He detailed the deterioration of the U.S. military in the past eight years and explained how he's going to rebuild it and why we need to, and it's a very tough audience. It's an expressly military audience, and they are of course listening for any sign that he's not really genuine here. I think, knocking this out of the park as far as that audience is concerned.
The best piece of advice that my mother gave me is to never have a plan B. She told me to stick to plan A because if you have a plan B you will inevitably fall back on it.
We're providing planning to a huge audience who's never had access to financial planners before. This was always my plan for LearnVest. It was in my very first pitch deck.
I'm a very, very basic photographer. The main strength of my pictures, I guess, is the mood and feel I get out of the people that I meet. But technically I don't think I'm very advanced. That never interested me.
When you're standing in front of an audience like this that is so enthusiastic and so much behind you, it is very hard to give a bad speech. Even a bad speech sounds good in a convention hall like this.
Very often in free speech cases you find yourself defending material that you personally detest, because of course it's no trick to defend the free speech of people you either agree with or who don't particularly upset you. It's when people really upset you that you discover if you believe in free speech or not.
My mood has changed now. And the sun has gone behind the clouds. I'm in this mood I feel occasionally... this mood where there's a very good friend nearby who I should be phoning. If only I could reach that friend and talk, then everything would be just fine. The dilemma is, of course, I just don't know who that friend is. But in my heart I know my mood is merely me feeling disconnected from my true inner self.
I have a constant kind of soundtrack going on at all times. I almost always have a song in my head. I'm very musically inclined. It feeds my soul. It definitely helps me get into a mood or get out of a mood. Or inspires a mood. Honestly, it is one of my therapists - cheaper and always available.
I always try to tell the story the best possible way. I create the mood for each scene in a way that the audience feels that they are right there with me and they feel actually in the mood that was right for the scene.
Dr. King gave the "I have a dream" speech, not the "I have a plan" speech.
As an actor, I was not accepted for the longest time. But it did not deter me, as the audience had accepted me. I never compared myself with any other actors. I never had any game plan and took whatever came my way.
Advocates of 'free speech' often repeat the mantra that the best response to bad speech is more and better speech, not the suppression of the bad stuff.
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