A Quote by Baltasar Gracian

Fortunate people often have very favorable beginnings and very tragic endings. What matters isn't being applauded when you arrive - for that is common - but being missed when you leave.
Endings of one rook and pawns are about the most common sort of endings arising on the chess board. Yet though they do occur so often, few have mastered them thoroughly. They are often of a very difficult nature, and sometimes while apparently very simple they are in reality extremely intricate.
It's lonely to say goodbye. Very lonely. Partings are the beginnings of new meetings. Beginnings happen because there are endings…Meetings. Beginnings. It's not too late…to believe in them after the fact.
In those early days, the important thing was the happy ending. I did not tolerate unhappy endings - for my heroines, anyway. And later on, I began to read things like 'Wuthering Heights,' and very, very unhappy endings would take place, so I changed my ideas completely and went in for the tragic, which I enjoyed.
With my being from Hawaii and being very family oriented I don't really have a fear of a tragic ending. I dont see any tragic ending for me.
Some people are very good at being themselves and being very natural on screen or being very sexy or handsome or whatever. I like that, and I aspire towards that, but I don't know if I always make it. I work very hard.
I have a problem with beginnings... and endings... and middles. But I don't know what else I would do. I find it very, very difficult to write. It takes everything; it's physically and mentally and emotionally exhausting for me. And my neighbours. And my dog.
I love the idea of stories being about great beginnings and terrible endings.
I mean, if you're being directed very precisely by somebody who has admiration and who's really smart, it's great. If you're being told what to do by a nincompoop - and luckily that hasn't happened very often - it can be very frustrating.
The experience of being in between-between the time we leave home and arrive? at our destination; between the time we leave adolescence and arrive at adulthood; between the time we leave doubt and arrive at faith. It is like the time when a trapeze artist lets go the bars and hangs in midair, ready to catch another support: it is a time of danger, of expectation, of uncertainty, of excitement, or extraordinary aliveness.
Dogs don't know about beginnings, and they don't speculate on matters that occurred before their time. Dogs also don't know - or at least don't accept - the concept of death. With no concept of beginnings or endings dogs probably don't know that for people having a dog as a life companion provides a streak of light between two eternities of darkness.
Dasein is a being that does not simply occur among other beings. Rather it is ontically distinguished by the fact that in its being this being is concerned about its very being. Thus it is constitutive of the being of Dasein to have, in its very being, a relation of being to this being.
In life, the number of beginnings is exactly equal to the number of endings ... In poetry, the number of beginnings so far exceeds the number of endings that we cannot even conceive of it.
I think a lot of people want stories or lives to have very distinct beginnings, middles, and endings. Generally, I think things are a little more fluid than that.
New beginnings are often disguised as painful endings.
A river is nearly the ultimate symbol for the very essence of change itself. It flows unceasingly from one point of being to another, yet continuously occupies the same bed or pathway, and accommodates life's endings with the same musical grace with which it accommodates life's beginnings, along with all the muted and explosive moments that surface between the two extremes.
The opportunity is not in being momentarily popular with the anonymous masses. It's in being missed when you're gone, in doing work that matters to the tribe you choose.
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