A Quote by Baltasar Kormakur

When I made '101 Reykjavik,' people talked about 'Almodovar on ice.' When I made 'The Sea,' people referenced Bergman. — © Baltasar Kormakur
When I made '101 Reykjavik,' people talked about 'Almodovar on ice.' When I made 'The Sea,' people referenced Bergman.
When I wrote a long story about the retreat of sea ice, I made clear it could go the other way for a while, and that doesn't mean we don't know that a warmer world will have less sea ice. It just means there's a lot of variability and people can pay too much attention to the big swings in one direction or the other.
When I was a journalist, I didn't care how many people talked to Ice Cube before I talked Ice Cube. I just knew that when I talked to Ice Cube, it was going to be different than what anybody else had done, and it was the same with any group.
We've always been huge fans of the Dixie Chicks. They talked about subject matter that people didn't necessarily want to talk about and made people pay attention to issues.
I recently took up ice sculpting. Last night I made an ice cube. This morning I made 12, I was prolific.
Some visual artworks are made to be talked about more than to be seen, others are made to be seen more than to be talked about. I think I belong in the latter category.
I've talked about my relationship without consulting my boyfriend about whether or not he wants that talked about, and I've also taken a story that has happened with us and, for comedic purposes, exaggerated it or changed it in some way that made him look not great.
Obviously, race is the elephant in the room, and we all understand that. Unless it is talked about constantly, it's not going to get better... people have to be made to feel uncomfortable, and especially white people, because we're comfortable. We still have no clue what being born white means.
People travel and hunt on the sea ice - in Alaska, they hunt in skin boats for bowhead whales; in Greenland, they hunt with dogsleds. The ice is their highway. The ice is also the ecosystem in which marine mammals and terrestrial animals such as polar bears exist.
People have talked about a biopic on my mother. And I am excited about it. In such a short span, it was one hell of a life lived. It is special. I would love to have a biopic made on her.
Cocaine made people deaf, it made people dead and it made people real obnoxious.
When we made 'Life in a Day,' we asked people around the globe to record their lives on a single ordinary day. When we were cutting that film, we talked about what it might be like if we chose a day that already had significance to people. The result is 'Christmas in a Day.'
People ask me about what sacrifices I've made. I always answer: I've made no sacrifices, I've made choices.
Too many people are surfing the web and trying to figure out the politics of getting a movie made or taking meetings and trying to get someone to read something instead of creating a truly great script, because something great has a great chance of getting made, but something average that you've sort of talked people into reading doesn't have as good a shot.
You could pick another two people and you'd have a whole other story and that's why films about love get made and made and made - because there's a million ways to tell it and no two stories are the same.
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
Most of the movies that I've made that I really felt good about and cared about made very little money anyway, so I'm not particularly worried about people downloading and sharing them.
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