A Quote by Baltasar Kormakur

I want to work with directors who can tell intimate stories in a way that feels universal and with a big enough scope and depth to travel outside of Iceland. — © Baltasar Kormakur
I want to work with directors who can tell intimate stories in a way that feels universal and with a big enough scope and depth to travel outside of Iceland.
Most Chinese filmmakers grew up watching television; they watched films on television, not in cinemas. The scope of their vision is not big enough, they're not yet detail-oriented enough. You have to watch films in cinemas for years to understand the depth and scope of vision needed in filmmaking. Directors in China usually come from an academic background; they graduate as film directors. Whereas the directors from Hong Kong learn their trade on sets, beginning at the lowest rung.
Some directors can tell stories and it becomes very intimate and small, and it's almost like a secret. Some directors have the gift of finding a way to show it and tell the story, in a way that brings in the audience.
I want to work with great directors and tell great stories - storytelling is the one great love of my life, and it means so much, and we have the ability to change the world by telling stories, and I want to keep doing that.
We can't tell particularly smart stories if we want to keep our audience big enough to pay for these big spectacle films that we want to do.
I've been lucky enough to work with some great directors, and I don't want to throw that away by doing one big horrible big budget film.
The material dictates the approach. I tell the stories in the way that feels natural to tell them. Certainly the last thing I want is to be "difficult."
I first studied to be a preacher, but decided that I was too prone to tell big stories. Then I studied Blackstone for a while and soon learned that I was not adept enough at prevarication to make a successful lawyer. I then made up my mind that I would seek some field where I could tell big stories and tell the truth.
When you work with directors who really love actors, who love their contribution, it feels amazing. But sometimes when you work with directors, you feel like youre in the way.
When you work with directors who really love actors, who love their contribution, it feels amazing. But sometimes when you work with directors, you feel like you're in the way.
There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.
The great thing about having spent all this time on film sets is that I've been able to watch directors and how they work. I now know that this is what I want to do as well: to tell stories visually. But it's definitely my vision that I want to put across, nobody else's.
I tell the stories in the way that feels natural to tell them.
As directors, we get very stuck on the stories we want to tell.
I don't ever approach anything from the issue first, so I can't tell you that I've thought about tackling universal health care. I'd have to have some great story I'd want to tell, and then universal health care would become part of the way to tell that story.
I love to tell stories and I love to work with directors and I think I write really visually, which I think directors like, and I love making movies, so I found something that I'm good at and I'm really happy doing.
So much Western storytelling comes from Scandinavia. I've read that in the past, storytellers would travel to Iceland and exchange stories. It's kind of the birthplace of great storytelling.
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