A Quote by Baltasar Kormakur
If you make a film too American, it won't travel. It will have no life outside of its own country.
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I'm the only Mauritanian filmmaker so it wouldn't make sense to make a film in France. I could shoot outside of my own country if the story was something that called for it. Africa really has to be the reason for me to make a new film.
If we get outside the EU, if we leave the EU system, we will be relieved of a huge amount of unnecessary regulation that is holding this country back. We will be able to set our own priorities, make our own laws and set our own tax policies to suit the needs of this country. We have a huge opportunity also to make people's votes count for more.
Every time I make an American film I just trust the American director and American writer. Myself, I would never make this kind of film. For me, those kinds of films are ridiculous. They don't make sense.
I know it's not strictly sex that accounts for my straying the motive usually attributed to men. I think it's just too tempting to have two lives rather than one. Some people think that too much travel begets infidelity: Separation and opportunity test the bonds of love. I think it's more likely that people who hate to make choices to settle on one thing or another are attracted to travel. Travel doesn't beget a double life. The appeal of the double life begets travel.
We will rebuild our country with American workers, American iron, American aluminum, American steel. We will create millions of new jobs and make millions of American dreams come true. Our infrastructure will again be the best in the world. We used to have the greatest infrastructure anywhere in the world, and today, we are like a third-world country. We are literally like a third-world country. Our infrastructure will again be the best, and we will restore the pride in our communities, our nation.
The film The Conquest will be seen on many different levels and the American point of view is always more technical. The French are less technical - it's 'I like it, or I don't like it.' I hope that this film can have a life in the U.S. - it's the grand country of cinema. I grew up with Hollywood movies, so for a French director to have a film distributed in the U.S. is a real opportunity.
I sent American troops to Iraq to make its people free, not to make them American. Iraqis will write their own history and find their own way.
One certainty when you travel is the moment you arrive in a foreign country, the American dollar will fall like a stone.
A lot of these people are Iraqis fighting for control of their own government. Maybe there's an argument to make that outside forces that go in and start bombing that country or invading that country are actually terrorists more so than the people in the country.
Books are great, but travel is the greatest teacher. If you have a choice, choose to travel. Not everywhere you go will be wonderful and life-altering; in fact, some places may underwhelm you and that, too, is an experience.
'Dil Chahta Hai' was too raw. We only thought about the film. We never thought where the film was going to go. We wanted to make a film on our own terms.
If you want to know the reality of life, then you should travel. At first travel your country, after that start travelling the world. Travel to know your surroundings so that we can say that you are an aware person. Nature, people and culture are calling you, so travel.
I did not want 'Battleship' to be perceived as an American war film. I wanted to do everything I could to make the film accessible to a global audience. It felt like bringing an alien component to the film would help take the American jingoism out of it.
Through travel I first became aware of the outside world; it was through travel that I found my own introspective way into becoming a part of it.
It is a commonplace of American life that immigrants have made our country great and continue to make a very important contribution to the fabric of American life. But...under the pressures we face today, we can't afford to lose control of our borders, or to take on new financial burdens, at a time when we are not adequately providing for the jobs, the health care, and the education of our own people. Therefore, immigration must be a priority for this administration.
I didn't want to make Young and Beautiful as very dramatic movie . In a certain way, I wanted to do a girly film. I wanted to make something sweet, pink. With a boy it was too dramatic and too heavy. I had a lot of pleasure with the boys in In the House, I said, "This time I will do a film with girls."
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