A Quote by Balthazar Getty

My theory is, independent movies only work if you're willing to push the material and do something different. — © Balthazar Getty
My theory is, independent movies only work if you're willing to push the material and do something different.
To the extent that independent means you're willing to attempt to put your own ideas, personality, and commitment to the material on screen, then of course I hope I'm independent until the day I die.
I only pay to take my son to the movies, because most of the time I only watch European movies, independent movies, or screen them privately. But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.
But what I've also really liked about it is that it not only has Marvel set about... if they just were slavishly trying to bring the comic books to life, literally, I don't the movies would work, because it's different to see something on screen in three dimensions with actors, and they kind of, I believe, are constantly trying to find a way to absolutely respect the source material and at the same time, transform it into something that works and that you believe on screen.
Everybody was willing to give me a job. But I wanted to do something different. I saw myself as an independent person, self-employed.
When you use the same actors a lot, you get to know them and you realize that one movie can't explore all the talent that they have. You really have to give them several different kinds of roles, in completely different movies, to push them and to push yourself.
The best adaptations are the ones that really excavate the material. The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing and put it into a story.
I was around New York at a time when independent cinema was at its peak and became kind of popular and mainstream. It got some hype, culturally. After that, studios started to have independent companies within their studio system, and they found bigger stars willing to do new material. That's kind of what it's turned into.
Only the defeat of the proletariat in Germany in 1923 gave the decisive push to the creation of Stalin's theory of national socialism: the downward curve of the revolution gave rise to Stalinism, not to the theory of the permanent revolution, which was first formulated by me in 1905. This theory is not bound to a definite calendar of revolutionary events; it only reveals the world-wide interdependence of the revolutionary process.
Technique in the minds of many is something rigid, something like a formula that you impose on the material; but in the best stories it is something organic, something that grows out of the material, and this being the case, it is different for every story of any account that has ever been written.
I like working in both movies and television. Television is faster, not very much rehearsal and a lot of material is shot in a day. Big budget movies are luxurious in terms of the schedule. Independent films often shoot fast as well.
In fact it is remarkable that this theory has had progressively greater influence on the spirit of researchers, following a series of discoveries in different scholarly disciplines. The convergence in the results of these independent studies—which was neither planned nor sought—constitutes in itself a significant argument in favor of the theory.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
I grew up on certain movies, particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that.
Every year, I push myself to do something different - and push the boundaries a little bit more.
You have to be willing to accept the information, you have to be willing to work hard. You have to be motivated to go to practice with an open mind. You have to be willing to be criticized. Only you can do those things.
You have to be willing to accept the information, you have to be willing to work hard. You have to be motivated to go to practice with an open mind. You have to be willing to be criticized. Only you can do those things.
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